Dionysus Since 69: Greek Tragedy at the Dawn of the Third Millennium

Przednia okładka
Edith Hall, Fiona Macintosh, Senior Research Fellow at the Archive of Performances of Greek and Roman Drama University Fiona Macintosh, Amanda Wrigley
Oxford University Press, 2004 - 480
Greek tragedy is currently being performed more frequently than at any time since classical antiquity. This book is the first to address the fundamental question, why has there been so much Greek tragedy in the theatres, opera houses and cinemas of the last three decades? A detailed chronological appendix of production information and lavish illustrations supplement the fourteen essays by an interdisciplinary team of specialists from the worlds of classics, theatre studies, and the professional theatre. They relate the recent appeal of Greek tragedy to social trends, political developments, aesthetic and performative developments, and the intellectual currents of the last three decades, especially multiculturalism, post-colonialism, feminism, post-structuralism, revisions of psychoanalytical models, and secularization.

Co mówią ludzie - Napisz recenzję

Nie znaleziono żadnych recenzji w standardowych lokalizacjach.

Inne wydania - Wyświetl wszystko

Informacje o autorze (2004)


Edith Hall is Leverhulme Professor of Greek Cultural History at the University of Durham and Co-Director of the Archive of Performances of Greek and Roman Drama, University of Oxford. Fiona Macintosh is Senior Research Fellow at the Archive of Performances of Greek and Roman Drama, University of Oxford. Amanda Wrigley is Researcher at the Archive of Performances of Greek and Roman Drama, University of Oxford.

Informacje bibliograficzne