Victorian Cathedral Music in Theory and PracticeCambridge University Press, 13 lis 1986 - 227 This is a critical assessment of Victorian cathedral music, unique in its detailed treatment of the cultural intellectual, philosophical and religious issues that shaped the composer's creative world and so influenced compositional practice. Among the issues investigated by William Gatens are the status of music in Church and society, the Victorians' views on the moral dimension of music, the aesthetic implications of Christian orthodoxy and notions of stylistic propriety. The careers and works of seven eminent composers - Thomas Attwood, T. A. Walmisley, John Goss, S. S. Wesley, F. A. G. Ouseley, John Stainer and Joseph Barnby - are discussed in some detail with emphasis on anthems and fully composed service settings. These provide specific illustrations of stylistic trends and the practical effects of theoretical principles. The study seeks to correct some of the misunderstandings and distortions that were common among earlier twentieth-century writers on the subject. |
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Spis treści
Morality singing and church music | 33 |
Orthodoxy and the composer | 45 |
Proprieties and constraints | 60 |
Thomas Attwood Walmisley 181456 and John Goss 180080 | 103 |
Samuel Sebastian Wesley 181076 a frustrated romantic | 128 |
the timeless idiom and beyond | 147 |
the High | 170 |
Notes | 202 |
213 | |
219 | |
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Anglican Barnby Barnby's bass Bumpus canticles cathedral service character characteristic choir choral choral service choral worship choristers chorus chromatic chromaticism church composers church music Communion compositions congregational contrapuntal critics Crotch Deum devotional doubled by organ ecclesiological Elvey emotional England English cathedral music English Church Evangelicals expression favoured genre Goss's harmony Haweis High Victorian idiom Hullah hymn tunes ibid ideal influence Jebb John Goss Joseph Barnby later Leeds liturgy Lord Magnificat minor moral movement Mozart music London musician neo-puritanism nineteenth century oratorio orchestral organist Ouseley Ouseley's Oxford Oxford Movement passage praise religious repertory Revd romantic S. S. Wesley sacred Samuel Sebastian Wesley secular sense sentimental setting singing Sir Frederick Ouseley solo sonata spiritual Spohr St Paul's style stylistic Te Deum Temperley Tenbury thee Thomas Attwood Walmisley thou timeless tion tonal Tractarians traditional triple metre verse anthem Victorian church music Walmisley Walmisley's Wesley's words writing