ing a triumph over his quondam associate, Mr. Malone, whose argument Mr. Steevens has chosen to pervert. That gentleman, in contending for the old reading, does not supply an inference that the king's body or outward part was not to be seen, but that the operations and progress of death were invisible. I cannot, indeed, agree with Mr. Malone, as to the fitness of his restoration, though I admit that adjectives are often used adverbially, and not, as Mr. Steevens asserts, in light and familiar dialogue, (where, indeed, the practice will not be admitted) but in grave and solemn diction only, as

Nature boon

"Pour'd forth profuse."

Paradise Lost.

"Sole reigning holds the tyranny of heaven."

Ibid.

The torrid clime

"Smote on him sore besides.".

Ibid.

LAST SCENE.

531.

Spleen of speed."

Sudden, tumultuous expedition.

34. "O let us pay the time but needful woe, "Since it hath been before-hand with our griefs."

As the recent events have impressed themselves with sufficient affliction on the general mind, let us not superfluously prolong that grief.

THE LIFE AND DEATH OF

KING RICHARD II.

ACT I. SCENE I.

5. Against the duke of Norfolk, Thomas Mowbray ?"

G. "I have, my liege."

K. "Tell me moreover," &c.

The metre in this play is in general pretty well preserved, and where it is imperfect there is good reason to suspect corruption. In the present instance, I suppose, we should read:

Against the duke of Norfolk ?"

G. "I have, my liege."

Or else, dismissing a superfluous part of the King's next speech

Against the duke of Norfolk, Thomas
Mowbray ?"

G. "I have, my liege."

K. "And hast thou sounded him ?"

Appeal each other."—

"Appeal" seems here to be used substantively, for "to make the subject of appeal," as we say, to summons, to subpoena.

My ingenious friend, Mr. Strutt, says it should be "appeach;" but there is evidence sufficient of "appeal" being used, in the present sense, by the old writers; and it is not a little remarkable, that it is so applied in the account of this very quarrel between Hereford and Norfolk, in Warner's Albion's England:

"The other saying little, then, immediately reueales

"The secrete, and before the king his foe-made friend appeales."

"Each day still better other's happiness."

It would be better written-" th' other's happiness."

"As well appeareth by the cause you come.”

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The expression here is imperfect, and the sense not very obvious. By the cause," seems to mean, "from the nature of the cause;" but then the construction would require "by the cause you come in," or "with :" but "by the cause, may quaintly signify, "by reason that," or "be

A traitor,

Too good to be so, and too bad to live."

Your name and rank give too much dignity to the character of a traitor, and your wickedness is too great to admit of your further existence.

7.

-Were I tied to run a-foot."

Were I obligated to run, &c.

10. "Which blood, like sacrificing Abel's, cries, "E'en from the tongueless caverns of the earth."

This thought, somewhat differently expressed, occurs in Hamlet:

"For murder, tho' it have no tongue, will speak "With most miraculous organ.'

"

But my fair name,

(Despite of death, that lives upon my grave.")

Dr. Johnson has rightly expressed the meaning of this passage; but the construction is false, and might easily have been corrected :

"That lives, despite of death, upon my grave."

14.

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-Impeach my height

Before this outdar'd dastard?".

Disparage my dignity. This outdared dastard may mean-this dastard that has been dared out by me to combat: but I rather think it is put for outdaring - intemperately boastful. We often find, in these works, the passive participle used for the active.

Exclaims, as a noun, occurs elsewhere.

Who, when he sees the hours ripe on earth."

As "hours" is, here, so presently we find "fire" a dissyllable:

"O who can hold a fire in his hand ?"

But these words were formerly so written"fier," "howers."

16. "Some of those branches by the destinies

cut."

And again, a little lower:

"One flourishing branch of his most royal root."

This is an exuberance of the metre, which, not too often recurring, is a grace rather than a blemish to the verse. Milton makes more frequent and happier use of it than any other of our poets.

18. "For sorrow ends not when it seemeth done."

i. e. The language of sorrow is not finished when it pauses.

19. "Desolate, desolate, will I hence, and die."

This line is inharmonious, and, without a redundant termination, comprises eleven syllables: yet the fault is not hypermetrical; for the addition of another syllable at the beginning would render it unexceptionable:

"And désolate, désolate, will I hence, and die."

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SCENE III.

22. Depose him in the justice of his cause."

Examine him, according to the solemn and established ceremonies, on his oath. Thus a