Italian Cinema and Modern European Literatures, 1945-2000

Przednia okładka
Praeger, 1 sty 2002 - 266

The history of cinema, and notably that of post-war Italian cinema, can only be understood adequately in the context of other contiguous cultural disciplines. World literature, including that of France, Germany, and Russia, played a key role in the development of post-war Italian film and the cinematic technique it has come to embody. Moving away from the usual modes of defining this period--a trajectory that begins with neorealism and ends with Bertolucci--author Carlo Testa offers proof that coming to terms with literary texts is an essential step toward understanding the motion pictures they influenced.

The means of recreating literature for the screen has changed drastically over the last half-century, as has the impact of different national traditions on Italian cinema. Testa's work is the first to explicitly and deliberately link postwar Italian cinema to general intellectual concerns such as the relationship between literary authors and cinematic auteurs. Moreover, his analysis of the impact of French, German, and Russian cultures on Italy brings forth a new reading of Italian cinema, a new paradigm for exploring complex issues of authorship, culture, and art.

Z wnętrza książki

Co mówią ludzie - Napisz recenzję

Nie znaleziono żadnych recenzji w standardowych lokalizacjach.

Spis treści

The Cold War 194556
1
The Economic Miracle 195663
27
Democratization and Conflict 196373 47
73
Prawa autorskie

Nie pokazano 5 innych sekcji

Inne wydania - Wyświetl wszystko

Kluczowe wyrazy i wyrażenia

Odniesienia do tej książki

Informacje o autorze (2002)

CARLO TESTA is an Associate Professor of French, Hispanic, and Italian Studies at the University of British Columbia, where he also teaches comparative literature. He is the author of Desire and the Devil.

Informacje bibliograficzne