Any idea of a progressive revelation implies that there was a light coming on into the world, which to them of olden time showed dimly a mystery into which they strove to look further. A vision of ideal goodness rose before them. It rested above the ideal Israel, chosen and called of God for a holy work. It shadowed that righteous servant of God with sorrow. The lot of the elect one was to be suffering. Thus the world was to be saved to God. This the great Prophet of the Exile saw. Christ's coming filled out this mystic vision, and it is fairly translated into the terms the Epistle uses.

The prophets were, in such lofty visionings, under an influence beyond their consciousness. "The passive master lent his hand

To the vast soul that o'er him planned."

All other passages claimed in support of the notion of an infallible Bible fail on the witness-stand. There is positively nothing in the New Testament which lends a reasonable countenance to such an amazing theory.

Even the stock argument, used when all other quotations failed, disappears in the honesty of the Revised New Testament. People who know no Greek see now that Paul did not write "All Scripture is given by inspiration of God"; but

"Every Scripture inspired of God is also profitable for teaching, for reproof, for correction, for instruction in righteousness."* *2 Timothy iii. 16.

This is precisely the claim to be made for the Bible, as against the exaggerated notions cherished about it. It is good for-all forms of characterbuilding. Its inspiration is ethical and spiritual. The test of the inspiration of any writing in it is its efficacy to inspire life with goodness.

III.

The Bible carries the refutation of this claim upon the face of its writings.

They thrust upon the attention of all who afe not blind the traces of human imperfection, of a kind and an extent which precludes any notion of a clean copy of a perfect script let down from the skies.

The Old Testament historians contradict each other in facts and figures, tell the same story in different ways, locate the same incident at different periods, ascribe the same deeds to different men, quote statistics which are plainly exaggerated, mistake poetic legend for sober prose, report the marvellous tales of tradition as literal history, and give us statements which cannot be read as scientific facts without denying our latest and most authoritative knowledge. I shall not enumerate these "mistakes of Moses," and of others. That is an ungracious task for which I have no heart.. It may be needful to remind the children of a larger growth, who persist in believing a saintly

mother's beliefs to be final authority in their studies, that she is not infallible. But one does not · care to catalogue her mistakes and taunt her with them.

That which carries no such reproach in it, but is, when rightly read, an honor to the Bible, may be pointed out, as the Biblical writers, indeed, do for us themselves.

The marks of a patient and noble literary workmanship are in every writing.

We can see this as our fathers could not see it, because the glasses through which to read literature critically have been ground within our century. Literary criticism is the study of literature by means of a microscopic knowledge of the language in which a book is written, of its growth from various roots, of its stages of development and the factors influencing them, of its condition in the period of this particular composition, of the writer's idiosyncrasies of thought and style in his ripening periods, of the general history and literature of his race, and of the special characteristics of his age and of his contemporary writers.

Every educated person knows something of the working of this criticism on other books. You have read your Shakespeare with intelligence, and have felt many misgivings as to the genuineness of a few plays, and of passages in many plays. brutalities and beastlinesses of Titus Andronicus

The

seemed impossible to the author of "The Tempest" and the "Midsummer Night's Dream." The historic plays seemed to you often "padded." But there was nothing more than guess-work in your conclusions, and, you suspected, in the more pretentious opinions of others. You take up, however, the lectures of Hudson or the charming study of Dowden, and you find that criticism is becoming, not merely an art, depending on certain instincts and tastes, but a science, building slowly a well-settled body of laws and rules, and shaping already a well defined consensus of judgment. The growth of the English language and literature, the characteristics of society, of language and of literature in the Elizabethan era, the idioms of Shakespeare's contemporaries, the manner of Shakespeare himself, in his different periods, have all been so minutely studied as to form a distinct specialty in knowledge. The Shakespearian scholar is a well differentiated species of the genus scholar, and speaks with a substantial authority upon what is now a real science. You can follow this teacher into Shakespeare's work-shop, watch the building of his plays, distinguish the hands which toiled over them and mark their journeyman's work, till quite sure where the Master's own inimitable touch caressed them into noble form, and in what period of his life he thus wrought. There is a new revelation of Shakespeare to our age.

This criticism turned upon the great books of the ancients. Niebuhr led the way in reconstructing the early history of the Romans. Dr. Arnold predicted that a Niebuhr of Jewish literature would arise. He came duly. His name was Ewald. Successors have followed in abundance. The principles and processes of literary criticism were applied to the Hebrew writings.

In the present immature stage of this science of Biblical Criticism there are, of course, plenty of speculations and guesses, of hasty generalizations and crude opinions. Time will correct these. Meanwhile there is already so much that may claim to be well established as to constitute a new knowledge of these old books.

The historical books are seen to be the work of many hands in many ages. They gather up the popular traditions of the race, carry down on their slow streams fragments from such far back ages that we have almost lost the clue to their storyglacial boulders that now lie strangely out of place in the rich fields of later eras; songs of rude periods, nature myths, legends of semi-fabulous heroes, folk lore of the tribes, scraps from longforgotten books, entries from ancient annals, pages torn from the histories of other peoples to fill out the story; the whole worked over many times by many hands in many generations.

Just as Thirlwall and Grote give us studies of Grecian history from the standpoint of Monarch

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