A History of Baroque MusicIndiana University Press, 23 lis 2004 - 701 A History of Baroque Music is an exhaustive study of the music of the Baroque period, with particular focus on the 17th century. Individual chapters consider the work of significant composers, including Monteverdi, Corelli, Scarlatti, Schütz, Purcell, Handel, Bach, and Telemann, as well as specific countries and regions. Two contributed chapters examine composers and genres from Russia, the Ukraine, Slovenia, Croatia, and Latin America. The book also includes a wealth and variety of musical examples from all genres and instrumental combinations. |
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Spis treści
BAROQUE AS A HISTORICAL CONCEPT | 1 |
PART I | 7 |
CHAPTER TWO BAROQUE INNOVATIONS IN ITALY TO CIRCA 1640 | 29 |
Opera in Rome | 38 |
Keyboard Music | 50 |
CHAPTER THREE | 57 |
The Operas | 72 |
The Sacred Works | 78 |
Keyboard Music | 322 |
CHAPTER ELEVEN HENRY PURCELL 16591695 | 329 |
The Church Anthems | 335 |
Odes and Welcome Songs | 344 |
Music for the Theater | 350 |
CHAPTER TWELVE SPAIN PORTUGAL AND LATIN AMERICA | 359 |
The First Half of the Eighteenth Century | 385 |
Latin America | 396 |
The Oratorio | 90 |
Instrumental Music | 104 |
CHAPTER FIVE ARCANGELO CORELLI 16531713 AND ALESSANDRO | 116 |
Vocal Chamber Music of Alessandro Scarlatti | 133 |
CHAPTER | 152 |
Italian Opera at the French Court | 158 |
The Baroque in France during the Reign of Louis XIV | 167 |
Music for the Chapelle Royale | 176 |
CHAPTER SEVEN SACRED MUSIC IN NORTHERN AND SOUTHERN EUROPE | 204 |
Sweelinck and Sacred Vocal Music in the Netherlands | 210 |
Other German Composers of Sacred Vocal Music | 223 |
Sacred Vocal Music in Southern Germany and Austria | 229 |
CHAPTER EIGHT SECULAR MUSIC IN NORTHERN AND SOUTHERN EUROPE | 241 |
Keyboard Music in the First Half of the Seventeenth Century | 249 |
CHAPTER NINE HEINRICH SCHÜTZ 15851672 | 264 |
CHAPTER TEN ENGLISH MUSIC DURING THE STUART REIGN | 292 |
Secular Vocal Music | 304 |
Instrumental Music | 315 |
Music in the Amerindian Archives | 406 |
CHAPTER THIRTEEN BAROQUE MUSIC IN EASTERN EUROPE | 414 |
Music in Slovenia Metoda Kokole ed Zdravko Blazekovic Ljubljana | 429 |
Music in Russia Ukraine Claudia Jensen Kirkland Washington | 437 |
CHAPTER FOURTEEN MUSIC IN ITALY | 461 |
CHAPTER FIFTEEN | 472 |
From Italy to London | 480 |
The Instrumental Music | 489 |
The Oratorios | 497 |
CHAPTER SEVENTEEN JOHANN SEBASTIAN BACH 16851750 | 503 |
The Organ Music | 509 |
Chamber Music | 520 |
152 | 533 |
GEORG PHILIPP TELEMANN 16811767 | 559 |
Telemann and the End of the Baroque | 567 |
BIBLIOGRAPHY | 604 |
INDEX | 610 |
Kluczowe wyrazy i wyrażenia
achievements anthems arias Bach Bach's Baroque Baroque music bass basso continuo cantatas cantus cantus firmus cathedral Chapel choir chorale chorus church collection composers compositions concertato concertos contrapuntal contrast court dances dissonances dramatic Dresden duet early eighteenth century employed English ensemble especially example fantasias four four-part French frequently fugue genre German Giovanni Gott Hamburg Handel harpsichord Herr homophonic Iberian imitative important influence Italian Italy Johann Kapellmeister keyboard music large number Leipzig libretto madrigals major manuscript masque melody minor monody Monteverdi motets movements musical style musicians oboes opera oratorios orchestra organ organ music organist ostinato passages performed pieces polychoral polyphonic popular preludes prima prattica psalm published Purcell Purcell's recitative repertory ritornello Royal sacred music Schütz score sections secular settings seventeenth century significant singers singing sonatas songs soprano string stylistic techniques Telemann tenor texts textures theater toccatas tradition variations variety Venetian Venice villancicos viol violin vocal music
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