A History of Baroque MusicA History of Baroque Music is an exhaustive study of the music of the Baroque period, with particular focus on the 17th century. Individual chapters consider the work of significant composers, including Monteverdi, Corelli, Scarlatti, Schütz, Purcell, Handel, Bach, and Telemann, as well as specific countries and regions. Two contributed chapters examine composers and genres from Russia, the Ukraine, Slovenia, Croatia, and Latin America. The book also includes a wealth and variety of musical examples from all genres and instrumental combinations. Contributors are Claudia Jensen, Metoda Kokole, Rui Vieira Nery, and Ennio Stipcevic. |
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A history of Baroque music
Recenzja użytkownika - Not Available - Book VerdictBuelow (musicology, emeritus, Indiana Univ.) crowns his long career as a highly respected specialist on Baroque music with this exhaustive and intensive survey of the period. His approach is both ... Przeczytaj pełną recenzję
Spis treści
BAROQUE AS A HISTORICAL CONCEPT | 1 |
CHAPTER TWO BAROQUE INNOVATIONS IN ITALY TO CIRCA 1640 | 29 |
Keyboard Music | 50 |
The Operas | 72 |
The Oratorio | 90 |
Instrumental Music | 104 |
Corellis Chamber Sonatas | 117 |
Vocal Chamber Music of Alessandro Scarlatti | 133 |
Odes and Welcome Songs | 344 |
Music for the Theater | 350 |
CHAPTER TWELVE SPAIN PORTUGAL AND LATIN AMERICA | 359 |
The First Half of the Eighteenth Century | 385 |
Latin America | 396 |
Music in the Amerindian Archives | 406 |
CHAPTER THIRTEEN BAROQUE MUSIC IN EASTERN EUROPE | 414 |
Music in Slovenia Metoda Kokole ed Zdravko Blazekovic Ljubljana | 429 |
CHAPTER SIX THE BAROQUE IN FRANCE | 152 |
The Baroque in France during the Reign of Louis XIV | 167 |
CHAPTER SEVEN SACRED MUSIC IN NORTHERN AND SOUTHERN EUROPE | 204 |
Sweelinck and Sacred Vocal Music in the Netherlands | 210 |
Other German Composers of Sacred Vocal Music | 223 |
Sacred Vocal Music in Southern Germany and Austria | 229 |
CHAPTER EIGHT SECULAR MUSIC IN NORTHERN AND SOUTHERN EUROPE | 241 |
Keyboard Music in the First Half of the Seventeenth Century | 249 |
CHAPTER NINE HEINRICH SCHÜTZ 15851672 | 264 |
CHAPTER TEN ENGLISH MUSIC DURING THE STUART REIGN | 292 |
Secular Vocal Music | 304 |
Instrumental Music | 315 |
Keyboard Music | 322 |
CHAPTER ELEVEN HENRY PURCELL 16591695 | 329 |
The Church Anthems | 335 |
Music in Russia Ukraine Claudia Jensen Kirkland Washington | 437 |
CHAPTER FOURTEEN MUSIC IN ITALY | 461 |
CHAPTER FIFTEEN OPERA AT HAMBURG DRESDEN AND VIENNA | 472 |
From Italy to London | 480 |
The Instrumental Music | 489 |
The Oratorios | 497 |
CHAPTER SEVENTEEN JOHANN SEBASTIAN BACH 16851750 | 503 |
The Organ Music | 509 |
Chamber Music | 520 |
Vocal Works | 527 |
CHAPTER EIGHTEEN GEORG PHILIPP TELEMANN 16811767 | 559 |
Telemann and the End of the Baroque | 567 |
| 631 | |
| 667 | |
Kluczowe wyrazy i wyrażenia
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Strona 633 - John). AMPHION ANGLICUS. A Work of many Compositions, for One, Two, Three and Four Voices: With several Accompagnements of Instrumental Musick; and A Thorow-Bass to each Song : Figur'd for an Organ, Harpsichord, or Theorboe-Lute.
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Informacje bibliograficzne
| Tytuł | A History of Baroque Music |
| Autor | George J. Buelow |
| Redaktor | George J. Buelow |
| Wydanie | ilustrowane |
| Wydawca | Indiana University Press, 2004 |
| ISBN | 0253343658, 9780253343659 |
| Liczba stron | 701 |
| Eksportuj cytowanie | BiBTeX EndNote RefMan |