Theater of the oppressed |
Z wnętrza książki
Wyniki 1 - 3 z 18
Strona 14
Happiness is not in the virtuous behavior itself, but in the fact that that behavior is
recognized by others. Man, in order to be happy, needs the approval of others.
Finally, the superior level of happiness is that of the man who acts virtuously and
...
Happiness is not in the virtuous behavior itself, but in the fact that that behavior is
recognized by others. Man, in order to be happy, needs the approval of others.
Finally, the superior level of happiness is that of the man who acts virtuously and
...
Strona 16
Aristotle goes farther and states that the formation of habits should begin in
childhood and that a youth cannot practice politics because he needs first to
learn all the virtuous habits taught by his elders, the legislators who instruct the
citizens in ...
Aristotle goes farther and states that the formation of habits should begin in
childhood and that a youth cannot practice politics because he needs first to
learn all the virtuous habits taught by his elders, the legislators who instruct the
citizens in ...
Strona 19
Those are not habitual acts either, and habit is one of the basic characteristics of
virtuous or vicious behavior. But if we read the play with care, we will see that
Oedipus, in all the important moments of his life, reveals his extraordinary pride,
his ...
Those are not habitual acts either, and habit is one of the basic characteristics of
virtuous or vicious behavior. But if we read the play with care, we will see that
Oedipus, in all the important moments of his life, reveals his extraordinary pride,
his ...
Co mówią ludzie - Napisz recenzję
LibraryThing Review
Recenzja użytkownika - RKC-Drama - LibraryThingThis new edition of Theatre of the Oppressed brings a classic work on radical drama fully up to date and includes a new foreword by the author Augusto Boal. Boal restores theatre to its proper place ... Przeczytaj pełną recenzję
Spis treści
Aristotles Coercive System of Tragedy | 1 |
Machiavelli and the Poetics of Virtu | 51 |
The Character as Subject or | 81 |
Prawa autorskie | |
Nie pokazano 4 innych sekcji
Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
abstract actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catastrophe catharsis character character's Chorus concrete conflict created Creon Dale Carnegie dramatic action emotions empathy epic poetry epic theater esthetic example exist fact feudal function Galy Gay hamartia hand happened happiness Hegel hero human ideas interpretation Joker live Machiavelli masks matter means moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political possible present produced proposed Protagonist reality relation reveals ritual role scene social ethos society soul spectator stage story structure symbol system of tragedy technique theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values virtue virtuous woman words Zumb'i