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Strona 45
Capitalism is fundamentally immoral because the search for profit, which is its
essence, is incompatible with its official morality, which preaches superior human
values, justice, etc. Dr. Stockman is destroyed (that is, he loses his position in ...
Capitalism is fundamentally immoral because the search for profit, which is its
essence, is incompatible with its official morality, which preaches superior human
values, justice, etc. Dr. Stockman is destroyed (that is, he loses his position in ...
Strona 68
nominator of moral values. In possession of this useful knowledge Ligurio knows
that he will succeed in any enterprise, as long as he does not give any
importance to such superfluous values as honor, dignity, loyalty, and other quaint
...
nominator of moral values. In possession of this useful knowledge Ligurio knows
that he will succeed in any enterprise, as long as he does not give any
importance to such superfluous values as honor, dignity, loyalty, and other quaint
...
Strona 74
Abstract moral values acquire concrete spokesmen, who are the characters. No
longer, as in the feudal theater, is Goodness a character called just that,
Goodness; now its name is John Doe or Bill Smith. Goodness and John Doe are
one and ...
Abstract moral values acquire concrete spokesmen, who are the characters. No
longer, as in the feudal theater, is Goodness a character called just that,
Goodness; now its name is John Doe or Bill Smith. Goodness and John Doe are
one and ...
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LibraryThing Review
Recenzja użytkownika - RKC-Drama - LibraryThingThis new edition of Theatre of the Oppressed brings a classic work on radical drama fully up to date and includes a new foreword by the author Augusto Boal. Boal restores theatre to its proper place ... Przeczytaj pełną recenzję
Spis treści
Aristotles Coercive System of Tragedy | 1 |
Machiavelli and the Poetics of Virtu | 51 |
The Character as Subject or | 81 |
Prawa autorskie | |
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abstract actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catastrophe catharsis character character's Chorus concrete conflict created Creon Dale Carnegie dramatic action emotions empathy epic poetry epic theater esthetic example exist fact feudal function Galy Gay hamartia hand happened happiness Hegel hero human ideas interpretation Joker live Machiavelli masks matter means moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political possible present produced proposed Protagonist reality relation reveals ritual role scene social ethos society soul spectator stage story structure symbol system of tragedy technique theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values virtue virtuous woman words Zumb'i
Informacje bibliograficzne
| Tytuł | Theater of the oppressed Pluto Classics Series |
| Autor | Augusto Boal |
| Wydanie | 3, ilustrowane |
| Wydawca | Pluto, 2000 |
| ISBN | 0745316581, 9780745316581 |
| Liczba stron | 208 |
| Eksportuj cytowanie | BiBTeX EndNote RefMan |