Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
Z wnętrza książki
Wyniki 1 - 3 z 29
Strona xv
... truth , which was one of the possible truths . The Chorus anxiously asked : " What now ? So what do we do ? " Nobody ... truth , and where the lie ? Thespis's truth negated the truth of the Chorus , which in turn negated his freedom . If ...
... truth , which was one of the possible truths . The Chorus anxiously asked : " What now ? So what do we do ? " Nobody ... truth , and where the lie ? Thespis's truth negated the truth of the Chorus , which in turn negated his freedom . If ...
Strona 74
... truth " shining through the sensory means which the artist utilizes . But how can the truth shine if the character who is carrier of the " eternal " truth is destroyed ? It is necessary that error be punished . The character who ...
... truth " shining through the sensory means which the artist utilizes . But how can the truth shine if the character who is carrier of the " eternal " truth is destroyed ? It is necessary that error be punished . The character who ...
Strona 188
... truth would have been stupidity . Brecht does not lash out at heroism per se , which in fact is nonexistent , but rather he censures certain concepts of heroism . And each social class has its own . In one of his poems Brecht writes ...
... truth would have been stupidity . Brecht does not lash out at heroism per se , which in fact is nonexistent , but rather he censures certain concepts of heroism . And each social class has its own . In one of his poems Brecht writes ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
What does Tragedy Imitate? | 12 |
The Degrees of Virtue | 21 |
Prawa autorskie | |
Nie pokazano 16 innych sekcji
Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
abstract actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catastrophe catharsis character character's Chorus concrete conflict created Creon dramatic action emotions empathy epic poetry esthetic example exist fact feudal function Galy Gay hamartia hand happened happiness Hegel hero human ideas interpretation Joker live Machiavelli masks matter means Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political possible present produced proposed protagonist reality relation reveals ritual role São Paulo scene social ethos society soul spectator stage story structure symbol system of tragedy technique theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values virtù virtue virtuous woman words Zumbi