Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
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Strona ix
... theatrical forms . Change is imperative . This work tries to show some of the fundamental changes and how the people have responded to them . “ Theater ” was the people singing freely in the open air ; the theatrical performance was ...
... theatrical forms . Change is imperative . This work tries to show some of the fundamental changes and how the people have responded to them . “ Theater ” was the people singing freely in the open air ; the theatrical performance was ...
Strona 125
... theatrical vocabulary is the human body , the main source of sound and movement . Therefore , to control the means of theatrical produc- tion , man must , first of all , control his own body , know his own body , in order to be capable ...
... theatrical vocabulary is the human body , the main source of sound and movement . Therefore , to control the means of theatrical produc- tion , man must , first of all , control his own body , know his own body , in order to be capable ...
Strona 161
Augusto Boal. - since the circular stage always reveals the theatrical character of any performance : audience facing audience , with the actors in between , and all the theatrical mechanisms bared , without dis- guise reflectors ...
Augusto Boal. - since the circular stage always reveals the theatrical character of any performance : audience facing audience , with the actors in between , and all the theatrical mechanisms bared , without dis- guise reflectors ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
Machiavelli and the Poetics of Virtù | 2 |
ix | 21 |
Prawa autorskie | |
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser art and science artist asked audience Augusto Boal become Bertolt Brecht bourgeois bourgeoisie Brecht catastrophe catharsis character character's characteristics Chorus coercive system concrete conflict created Creon criteria dianoia dramatic action emotions empathy epic epic poetry esthetic ethical example exist feudal function Greek habits hamartia happens happiness Hegel Heraclitus hero human ideas Jacob Bernays Joker laws live Machiavelli masks matter moral movement nature necessary object Oedipus Parmenides participants passions perfect performance peripeteia person pity and fear Plato play poetics poetry political presented protagonist purged rational soul reality reason ritual scene Social Ethos society spectator stage story structure system of tragedy theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous behavior woman words Zumbi