Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
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Augusto Boal. In Brecht's plays , however , the unbridgeable gulf between stage and audience remains . The stage belongs to the characters and the actors . Even when the dramatist is critical of what the Character does , when he ...
Augusto Boal. In Brecht's plays , however , the unbridgeable gulf between stage and audience remains . The stage belongs to the characters and the actors . Even when the dramatist is critical of what the Character does , when he ...
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... stages : First stage : Knowing the body : a series of exercises by which one gets to know one's body , its limitations and possibilities , its social distortions and possibilities of rehabilitation . Second stage : Making the body ...
... stages : First stage : Knowing the body : a series of exercises by which one gets to know one's body , its limitations and possibilities , its social distortions and possibilities of rehabilitation . Second stage : Making the body ...
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... stage and observe the spaghetti as it is being swallowed . The " furtive tear " reveals its secret . The stage a la italiana always utilizes the long - shot . As for the image , in one of his articles Guarnieri outlined the evolution of ...
... stage and observe the spaghetti as it is being swallowed . The " furtive tear " reveals its secret . The stage a la italiana always utilizes the long - shot . As for the image , in one of his articles Guarnieri outlined the evolution of ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
Machiavelli and the Poetics of Virtù | 2 |
ix | 21 |
Prawa autorskie | |
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser art and science artist asked audience Augusto Boal become Bertolt Brecht bourgeois bourgeoisie Brecht catastrophe catharsis character character's characteristics Chorus coercive system concrete conflict created Creon criteria dianoia dramatic action emotions empathy epic epic poetry esthetic ethical example exist feudal function Greek habits hamartia happens happiness Hegel Heraclitus hero human ideas Jacob Bernays Joker laws live Machiavelli masks matter moral movement nature necessary object Oedipus Parmenides participants passions perfect performance peripeteia person pity and fear Plato play poetics poetry political presented protagonist purged rational soul reality reason ritual scene Social Ethos society spectator stage story structure system of tragedy theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous behavior woman words Zumbi