Theater of the oppressed |
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Strona 37
The hero accepts his error, hoping that, empathically, the spectator will also
accept as bad his own hamartia. But the spectator has the great advantage of
having erred only vicariously: he does not really pay for it. Finally, so that the
spectator ...
The hero accepts his error, hoping that, empathically, the spectator will also
accept as bad his own hamartia. But the spectator has the great advantage of
having erred only vicariously: he does not really pay for it. Finally, so that the
spectator ...
Strona 122
In order to understand this poetics of the oppressed one must keep in mind its
main objective: to change the people — "spectators," passive beings in the
theatrical phenomenon — into subjects, into actors, transformers of the dramatic
action.
In order to understand this poetics of the oppressed one must keep in mind its
main objective: to change the people — "spectators," passive beings in the
theatrical phenomenon — into subjects, into actors, transformers of the dramatic
action.
Strona 155
The spectator is less than a man and it is necessary to humanize him, to restore
to him his capacity of action in all its fullness. He too must be a subject, an actor
on an equal plane with those generally accepted as actors, who must also be ...
The spectator is less than a man and it is necessary to humanize him, to restore
to him his capacity of action in all its fullness. He too must be a subject, an actor
on an equal plane with those generally accepted as actors, who must also be ...
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LibraryThing Review
Recenzja użytkownika - RKC-Drama - LibraryThingThis new edition of Theatre of the Oppressed brings a classic work on radical drama fully up to date and includes a new foreword by the author Augusto Boal. Boal restores theatre to its proper place ... Przeczytaj pełną recenzję
Spis treści
Aristotles Coercive System of Tragedy | 1 |
Machiavelli and the Poetics of Virtu | 51 |
The Character as Subject or | 81 |
Prawa autorskie | |
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abstract actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catastrophe catharsis character character's Chorus concrete conflict created Creon Dale Carnegie dramatic action emotions empathy epic poetry epic theater esthetic example exist fact feudal function Galy Gay hamartia hand happened happiness Hegel hero human ideas interpretation Joker live Machiavelli masks matter means moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political possible present produced proposed Protagonist reality relation reveals ritual role scene social ethos society soul spectator stage story structure symbol system of tragedy technique theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values virtue virtuous woman words Zumb'i
Informacje bibliograficzne
| Tytuł | Theater of the oppressed Pluto Classics Series |
| Autor | Augusto Boal |
| Wydanie | 3, ilustrowane |
| Wydawca | Pluto, 2000 |
| ISBN | 0745316581, 9780745316581 |
| Liczba stron | 208 |
| Eksportuj cytowanie | BiBTeX EndNote RefMan |