Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
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Strona 97
... revolutionary to the extent that he is less hungry . And this mechanism works . It is not for any other reason that the working classes in capitalist countries show so little revolutionary spirit , and rather prove to be reactionary ...
... revolutionary to the extent that he is less hungry . And this mechanism works . It is not for any other reason that the working classes in capitalist countries show so little revolutionary spirit , and rather prove to be reactionary ...
Strona 122
... revolutionary in itself , but it is surely a rehearsal for the revolution . The liberated spectator , as a whole person , launches into action . No matter that the action is fictional ; what matters is that it is action ! I believe that ...
... revolutionary in itself , but it is surely a rehearsal for the revolution . The liberated spectator , as a whole person , launches into action . No matter that the action is fictional ; what matters is that it is action ! I believe that ...
Strona 155
... revolutionary impetus is pro- duced ! Dramatic action substitutes for real action . Brecht's poetics is that of the enlightened vanguard : the world is revealed as subject to change , and the change starts in the theater itself , for ...
... revolutionary impetus is pro- duced ! Dramatic action substitutes for real action . Brecht's poetics is that of the enlightened vanguard : the world is revealed as subject to change , and the change starts in the theater itself , for ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
Machiavelli and the Poetics of Virtù | 2 |
ix | 21 |
Prawa autorskie | |
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser art and science artist asked audience Augusto Boal become Bertolt Brecht bourgeois bourgeoisie Brecht catastrophe catharsis character character's characteristics Chorus coercive system concrete conflict created Creon criteria dianoia dramatic action emotions empathy epic epic poetry esthetic ethical example exist feudal function Greek habits hamartia happens happiness Hegel Heraclitus hero human ideas Jacob Bernays Joker laws live Machiavelli masks matter moral movement nature necessary object Oedipus Parmenides participants passions perfect performance peripeteia person pity and fear Plato play poetics poetry political presented protagonist purged rational soul reality reason ritual scene Social Ethos society spectator stage story structure system of tragedy theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous behavior woman words Zumbi