Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
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Strona 35
... relationship between character and spectator . A relationship which , as Aristotle suggests , can be basically one of ... relation to what the character does that is , his ethos . But there is likewise an em- pathic relationship dianoia ...
... relationship between character and spectator . A relationship which , as Aristotle suggests , can be basically one of ... relation to what the character does that is , his ethos . But there is likewise an em- pathic relationship dianoia ...
Strona 114
... relation with the readers or with the spectators of the films ( cartoons ) in which he appears . Because of that em- pathy , because of the phenomenon of the juxtaposition of two universes , the spectators begin to experience as real ...
... relation with the readers or with the spectators of the films ( cartoons ) in which he appears . Because of that em- pathy , because of the phenomenon of the juxtaposition of two universes , the spectators begin to experience as real ...
Strona 196
... relations compared to the structure of the relations of production . 5 ) The social complex family - neighborhood - work . Neighbors , companions , members of the same ball team , of the same society for neighborhood improvement , of ...
... relations compared to the structure of the relations of production . 5 ) The social complex family - neighborhood - work . Neighbors , companions , members of the same ball team , of the same society for neighborhood improvement , of ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
What does Tragedy Imitate? | 12 |
The Degrees of Virtue | 21 |
Prawa autorskie | |
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abstract actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catastrophe catharsis character character's Chorus concrete conflict created Creon dramatic action emotions empathy epic poetry esthetic example exist fact feudal function Galy Gay hamartia hand happened happiness Hegel hero human ideas interpretation Joker live Machiavelli masks matter means Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political possible present produced proposed protagonist reality relation reveals ritual role São Paulo scene social ethos society soul spectator stage story structure symbol system of tragedy technique theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values virtù virtue virtuous woman words Zumbi