Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
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Strona xiv
... Protagonist . After all , it's delightful to be Protagonist . He wanted to go on living as a Protagonist , even if the Chorus kept to the text , singing the same song in the same key . It's hard to go back to a supporting role when you ...
... Protagonist . After all , it's delightful to be Protagonist . He wanted to go on living as a Protagonist , even if the Chorus kept to the text , singing the same song in the same key . It's hard to go back to a supporting role when you ...
Strona xviii
... Protagonist at the end , if you'll permit me another technical term which I intend to use from now on . " - " I see , the Protagonist gets a well - earned Catastrophe . But what about the audience ? What do they get ? What happens in ...
... Protagonist at the end , if you'll permit me another technical term which I intend to use from now on . " - " I see , the Protagonist gets a well - earned Catastrophe . But what about the audience ? What do they get ? What happens in ...
Strona 150
... protagonist , the participants and the protagonist act out the incident just as it happened in reality - recreating the same scene , the same cir- cumstances , and the same original feelings . Once the " reproduction " of the actual ...
... protagonist , the participants and the protagonist act out the incident just as it happened in reality - recreating the same scene , the same cir- cumstances , and the same original feelings . Once the " reproduction " of the actual ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
Machiavelli and the Poetics of Virtù | 2 |
ix | 21 |
Prawa autorskie | |
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser art and science artist asked audience Augusto Boal become Bertolt Brecht bourgeois bourgeoisie Brecht catastrophe catharsis character character's characteristics Chorus coercive system concrete conflict created Creon criteria dianoia dramatic action emotions empathy epic epic poetry esthetic ethical example exist feudal function Greek habits hamartia happens happiness Hegel Heraclitus hero human ideas Jacob Bernays Joker laws live Machiavelli masks matter moral movement nature necessary object Oedipus Parmenides participants passions perfect performance peripeteia person pity and fear Plato play poetics poetry political presented protagonist purged rational soul reality reason ritual scene Social Ethos society spectator stage story structure system of tragedy theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous behavior woman words Zumbi