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Strona 83
The differences that he establishes between epic poetry and tragedy refer to the
verse (for him, necessarily present in the two forms), the duration of the action,
and, finally — what is more important — to the fact that epic poetry is, as he sees
it, ...
The differences that he establishes between epic poetry and tragedy refer to the
verse (for him, necessarily present in the two forms), the duration of the action,
and, finally — what is more important — to the fact that epic poetry is, as he sees
it, ...
Strona 142
The bourgeoisie already knows what the world is like, their world, and is able to
present images of this complete, finished world. The bourgeoisie presents the
spectacle. On the other hand, the proletariat and the oppressed classes do not ...
The bourgeoisie already knows what the world is like, their world, and is able to
present images of this complete, finished world. The bourgeoisie presents the
spectacle. On the other hand, the proletariat and the oppressed classes do not ...
Strona 153
It is important that the symbols be chosen by the participants present and that
they not be imposed "from above." For a particular community the symbol for the
head of the family might be a wallet, because he is the person who controls the ...
It is important that the symbols be chosen by the participants present and that
they not be imposed "from above." For a particular community the symbol for the
head of the family might be a wallet, because he is the person who controls the ...
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LibraryThing Review
Recenzja użytkownika - RKC-Drama - LibraryThingThis new edition of Theatre of the Oppressed brings a classic work on radical drama fully up to date and includes a new foreword by the author Augusto Boal. Boal restores theatre to its proper place ... Przeczytaj pełną recenzję
Spis treści
Aristotles Coercive System of Tragedy | 1 |
Machiavelli and the Poetics of Virtu | 51 |
The Character as Subject or | 81 |
Prawa autorskie | |
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Kluczowe wyrazy i wyrażenia
abstract actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catastrophe catharsis character character's Chorus concrete conflict created Creon Dale Carnegie dramatic action emotions empathy epic poetry epic theater esthetic example exist fact feudal function Galy Gay hamartia hand happened happiness Hegel hero human ideas interpretation Joker live Machiavelli masks matter means moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political possible present produced proposed Protagonist reality relation reveals ritual role scene social ethos society soul spectator stage story structure symbol system of tragedy technique theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values virtue virtuous woman words Zumb'i
Informacje bibliograficzne
| Tytuł | Theater of the oppressed Pluto Classics Series |
| Autor | Augusto Boal |
| Wydanie | 3, ilustrowane |
| Wydawca | Pluto, 2000 |
| ISBN | 0745316581, 9780745316581 |
| Liczba stron | 208 |
| Eksportuj cytowanie | BiBTeX EndNote RefMan |