Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
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Strona 29
... pity or fear , but something contained in those emo- tions , or mixed with them . We must determine the identity of this foreign body which is eliminated by the cathartic process . In this case , pity and fear would only be part of the ...
... pity or fear , but something contained in those emo- tions , or mixed with them . We must determine the identity of this foreign body which is eliminated by the cathartic process . In this case , pity and fear would only be part of the ...
Strona 30
... pity that such a wonderful person is destroyed for having one fault , pride , which perhaps we also have : hence our fear . Creon defends the right of the State and seeing that he has to bear the death of his wife and son causes pity in ...
... pity that such a wonderful person is destroyed for having one fault , pride , which perhaps we also have : hence our fear . Creon defends the right of the State and seeing that he has to bear the death of his wife and son causes pity in ...
Strona 31
... pity and fear . The impurity exists , no doubt , and it is in fact the object of purgation in the character's mind , or as Aristotle would say , in his very soul . But Aristotle does not speak of the existence of pure or impure pity ...
... pity and fear . The impurity exists , no doubt , and it is in fact the object of purgation in the character's mind , or as Aristotle would say , in his very soul . But Aristotle does not speak of the existence of pure or impure pity ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
Machiavelli and the Poetics of Virtù | 2 |
ix | 21 |
Prawa autorskie | |
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser art and science artist asked audience Augusto Boal become Bertolt Brecht bourgeois bourgeoisie Brecht catastrophe catharsis character character's characteristics Chorus coercive system concrete conflict created Creon criteria dianoia dramatic action emotions empathy epic epic poetry esthetic ethical example exist feudal function Greek habits hamartia happens happiness Hegel Heraclitus hero human ideas Jacob Bernays Joker laws live Machiavelli masks matter moral movement nature necessary object Oedipus Parmenides participants passions perfect performance peripeteia person pity and fear Plato play poetics poetry political presented protagonist purged rational soul reality reason ritual scene Social Ethos society spectator stage story structure system of tragedy theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous behavior woman words Zumbi