Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
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Strona 18
... person , part of one's soul . Though there is no free- dom when coercion comes from without , acts based upon inner impulse must be regarded as freely undertaken . The woman was condemned . Third Condition : Knowledge . It is the ...
... person , part of one's soul . Though there is no free- dom when coercion comes from without , acts based upon inner impulse must be regarded as freely undertaken . The woman was condemned . Third Condition : Knowledge . It is the ...
Strona 127
... person whatever the work or social status . The combination of roles that a person must perform im- poses on him a " mask " of behavior . This is why those who perform the same roles end up resembling each other : artists , soldiers ...
... person whatever the work or social status . The combination of roles that a person must perform im- poses on him a " mask " of behavior . This is why those who perform the same roles end up resembling each other : artists , soldiers ...
Strona 139
... person to realize that his own vision of real- ity is a cosmic one , as if he were a part of that reality . The game of images offers many other possibilities . The im- portant thing is always to analyze the feasibility of the change ...
... person to realize that his own vision of real- ity is a cosmic one , as if he were a part of that reality . The game of images offers many other possibilities . The im- portant thing is always to analyze the feasibility of the change ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
What does Tragedy Imitate? | 12 |
The Degrees of Virtue | 21 |
Prawa autorskie | |
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abstract actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catastrophe catharsis character character's Chorus concrete conflict created Creon dramatic action emotions empathy epic poetry esthetic example exist fact feudal function Galy Gay hamartia hand happened happiness Hegel hero human ideas interpretation Joker live Machiavelli masks matter means Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political possible present produced proposed protagonist reality relation reveals ritual role São Paulo scene social ethos society soul spectator stage story structure symbol system of tragedy technique theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values virtù virtue virtuous woman words Zumbi