Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
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Strona 122
... oppressed fo- cuses on the action itself : the spectator delegates no power to the character ( or actor ) either to act or to think in his place ; on the contrary , he himself assumes the protagonic role , changes the dramatic action ...
... oppressed fo- cuses on the action itself : the spectator delegates no power to the character ( or actor ) either to act or to think in his place ; on the contrary , he himself assumes the protagonic role , changes the dramatic action ...
Strona 150
... oppressed ; we pro- letarians are oppressed ; therefore the proletariat is oppressed . It is necessary to pass from the particular to the general , not vice versa , and to deal with something that has happened to someone in particular ...
... oppressed ; we pro- letarians are oppressed ; therefore the proletariat is oppressed . It is necessary to pass from the particular to the general , not vice versa , and to deal with something that has happened to someone in particular ...
Strona 155
... oppressed is essentially the poetics of liberation : the spectator no longer delegates power to the charac- ters either to think or to act in his place . The spectator frees himself ; he thinks and acts for himself ! Theater is action ...
... oppressed is essentially the poetics of liberation : the spectator no longer delegates power to the charac- ters either to think or to act in his place . The spectator frees himself ; he thinks and acts for himself ! Theater is action ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
What does Tragedy Imitate? | 12 |
The Degrees of Virtue | 21 |
Prawa autorskie | |
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abstract actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catastrophe catharsis character character's Chorus concrete conflict created Creon dramatic action emotions empathy epic poetry esthetic example exist fact feudal function Galy Gay hamartia hand happened happiness Hegel hero human ideas interpretation Joker live Machiavelli masks matter means Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political possible present produced proposed protagonist reality relation reveals ritual role São Paulo scene social ethos society soul spectator stage story structure symbol system of tragedy technique theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values virtù virtue virtuous woman words Zumbi