Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
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Strona 122
... oppressed fo- cuses on the action itself : the spectator delegates no power to the character ( or actor ) either to act or to think in his place ; on the contrary , he himself assumes the protagonic role , changes the dramatic action ...
... oppressed fo- cuses on the action itself : the spectator delegates no power to the character ( or actor ) either to act or to think in his place ; on the contrary , he himself assumes the protagonic role , changes the dramatic action ...
Strona 150
... oppressed ; we pro- letarians are oppressed ; therefore the proletariat is oppressed . It is necessary to pass from the particular to the general , not vice versa , and to deal with something that has happened to someone in particular ...
... oppressed ; we pro- letarians are oppressed ; therefore the proletariat is oppressed . It is necessary to pass from the particular to the general , not vice versa , and to deal with something that has happened to someone in particular ...
Strona 155
... oppressed is essentially the poetics of liberation : the spectator no longer delegates power to the charac- ters either to think or to act in his place . The spectator frees himself ; he thinks and acts for himself ! Theater is action ...
... oppressed is essentially the poetics of liberation : the spectator no longer delegates power to the charac- ters either to think or to act in his place . The spectator frees himself ; he thinks and acts for himself ! Theater is action ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
Machiavelli and the Poetics of Virtù | 2 |
ix | 21 |
Prawa autorskie | |
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser art and science artist asked audience Augusto Boal become Bertolt Brecht bourgeois bourgeoisie Brecht catastrophe catharsis character character's characteristics Chorus coercive system concrete conflict created Creon criteria dianoia dramatic action emotions empathy epic epic poetry esthetic ethical example exist feudal function Greek habits hamartia happens happiness Hegel Heraclitus hero human ideas Jacob Bernays Joker laws live Machiavelli masks matter moral movement nature necessary object Oedipus Parmenides participants passions perfect performance peripeteia person pity and fear Plato play poetics poetry political presented protagonist purged rational soul reality reason ritual scene Social Ethos society spectator stage story structure system of tragedy theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous behavior woman words Zumbi