Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
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Strona 5
... movements of Achilles and the turtle are not interdependent or discontinuous : Achilles does not first gain one part ... movement is precisely the passing from one place to another , and not a sequence of acts in different places . Logos ...
... movements of Achilles and the turtle are not interdependent or discontinuous : Achilles does not first gain one part ... movement is precisely the passing from one place to another , and not a sequence of acts in different places . Logos ...
Strona 8
... movement which develops matter toward its final form . Therefore , what did " imitate " mean for Aristotle ? To re- create that internal movement of things toward their perfection . Nature was for him this movement itself and not things ...
... movement which develops matter toward its final form . Therefore , what did " imitate " mean for Aristotle ? To re- create that internal movement of things toward their perfection . Nature was for him this movement itself and not things ...
Strona 178
... movement of the character's spirit . Hegel goes even further and , as if he were thinking with premonition of ... movements of his spirit " ; if those movements compel him to kill , possess , attack , forgive , etc. , nothing foreign to ...
... movement of the character's spirit . Hegel goes even further and , as if he were thinking with premonition of ... movements of his spirit " ; if those movements compel him to kill , possess , attack , forgive , etc. , nothing foreign to ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
What does Tragedy Imitate? | 12 |
The Degrees of Virtue | 21 |
Prawa autorskie | |
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abstract actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catastrophe catharsis character character's Chorus concrete conflict created Creon dramatic action emotions empathy epic poetry esthetic example exist fact feudal function Galy Gay hamartia hand happened happiness Hegel hero human ideas interpretation Joker live Machiavelli masks matter means Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political possible present produced proposed protagonist reality relation reveals ritual role São Paulo scene social ethos society soul spectator stage story structure symbol system of tragedy technique theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values virtù virtue virtuous woman words Zumbi