Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
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Strona 134
... interpretation . If formerly he interpreted the solitary author locked in his study , to whom divine inspiration dictated a finished text , here on the contrary , he must interpret the mass audience , assembled in their local committees ...
... interpretation . If formerly he interpreted the solitary author locked in his study , to whom divine inspiration dictated a finished text , here on the contrary , he must interpret the mass audience , assembled in their local committees ...
Strona 165
... interpretation , we dislocated another em- phasis . The social interpretation came to the forefront . Instead of taking some debatable essences as the basis of their interpreta- tion , the actors began to build their characters from ...
... interpretation , we dislocated another em- phasis . The social interpretation came to the forefront . Instead of taking some debatable essences as the basis of their interpreta- tion , the actors began to build their characters from ...
Strona 168
... interpretation of all the fixed characters of the text . For this they used masks , which prevented the confusion of ... interpreted , independently of the actors per- forming each role . Thus the characteristic violence of King Zumbí ...
... interpretation of all the fixed characters of the text . For this they used masks , which prevented the confusion of ... interpreted , independently of the actors per- forming each role . Thus the characteristic violence of King Zumbí ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
Machiavelli and the Poetics of Virtù | 2 |
ix | 21 |
Prawa autorskie | |
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser art and science artist asked audience Augusto Boal become Bertolt Brecht bourgeois bourgeoisie Brecht catastrophe catharsis character character's characteristics Chorus coercive system concrete conflict created Creon criteria dianoia dramatic action emotions empathy epic epic poetry esthetic ethical example exist feudal function Greek habits hamartia happens happiness Hegel Heraclitus hero human ideas Jacob Bernays Joker laws live Machiavelli masks matter moral movement nature necessary object Oedipus Parmenides participants passions perfect performance peripeteia person pity and fear Plato play poetics poetry political presented protagonist purged rational soul reality reason ritual scene Social Ethos society spectator stage story structure system of tragedy theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous behavior woman words Zumbi