Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
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Strona 61
... feudal lord : while the latter could assert that his power emanated from what was in effect a contract made back in immemorial times — in which God Himself had given him ( the feudal lord ) the right to possess the land , together with ...
... feudal lord : while the latter could assert that his power emanated from what was in effect a contract made back in immemorial times — in which God Himself had given him ( the feudal lord ) the right to possess the land , together with ...
Strona 74
... feudal theater , is Goodness a character called just that , Goodness ; now its name is John Doe or Bill Smith . Goodness and John Doe are one and the same , though different : one is the abstract value , the other its human concre- tion ...
... feudal theater , is Goodness a character called just that , Goodness ; now its name is John Doe or Bill Smith . Goodness and John Doe are one and the same , though different : one is the abstract value , the other its human concre- tion ...
Strona 75
... feudal theme of the Last Judg- ment the post - terrestrial reward . How else are we to interpret the final words of Doña Sol in Hernani when , at the moment of death , she talks of the marvelous flight which the two lovers will take ...
... feudal theme of the Last Judg- ment the post - terrestrial reward . How else are we to interpret the final words of Doña Sol in Hernani when , at the moment of death , she talks of the marvelous flight which the two lovers will take ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
Machiavelli and the Poetics of Virtù | 2 |
ix | 21 |
Prawa autorskie | |
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser art and science artist asked audience Augusto Boal become Bertolt Brecht bourgeois bourgeoisie Brecht catastrophe catharsis character character's characteristics Chorus coercive system concrete conflict created Creon criteria dianoia dramatic action emotions empathy epic epic poetry esthetic ethical example exist feudal function Greek habits hamartia happens happiness Hegel Heraclitus hero human ideas Jacob Bernays Joker laws live Machiavelli masks matter moral movement nature necessary object Oedipus Parmenides participants passions perfect performance peripeteia person pity and fear Plato play poetics poetry political presented protagonist purged rational soul reality reason ritual scene Social Ethos society spectator stage story structure system of tragedy theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous behavior woman words Zumbi