Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
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Strona 49
... esthetic pleasure is given by the union of matter with a form which in the real world is foreign to it . This union of matter with a ( foreign ) form produces the esthetic plea- sure . For example , to express joy not as in real life ...
... esthetic pleasure is given by the union of matter with a form which in the real world is foreign to it . This union of matter with a ( foreign ) form produces the esthetic plea- sure . For example , to express joy not as in real life ...
Strona 173
... esthetic and social stimuli and needs . Exhaustive studies have shown the structure of Elizabethan texts to be a consequence of the social conditions of their time , of their public , and even of the special characteristics of their ...
... esthetic and social stimuli and needs . Exhaustive studies have shown the structure of Elizabethan texts to be a consequence of the social conditions of their time , of their public , and even of the special characteristics of their ...
Strona 174
... esthetic and economic nature . The first problem to be solved consists in the presentation within the same performance , both of the play and its analysis . Obviously , the staging of any play already includes its own ana- lytical ...
... esthetic and economic nature . The first problem to be solved consists in the presentation within the same performance , both of the play and its analysis . Obviously , the staging of any play already includes its own ana- lytical ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
Machiavelli and the Poetics of Virtù | 2 |
ix | 21 |
Prawa autorskie | |
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser art and science artist asked audience Augusto Boal become Bertolt Brecht bourgeois bourgeoisie Brecht catastrophe catharsis character character's characteristics Chorus coercive system concrete conflict created Creon criteria dianoia dramatic action emotions empathy epic epic poetry esthetic ethical example exist feudal function Greek habits hamartia happens happiness Hegel Heraclitus hero human ideas Jacob Bernays Joker laws live Machiavelli masks matter moral movement nature necessary object Oedipus Parmenides participants passions perfect performance peripeteia person pity and fear Plato play poetics poetry political presented protagonist purged rational soul reality reason ritual scene Social Ethos society spectator stage story structure system of tragedy theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous behavior woman words Zumbi