Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
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Strona 83
... epic ? In the beginning , Bertolt Brecht applied that old word to his theater . Aristotle does not speak of epic theater , but only of epic poetry , tragedy , and comedy . The differences that he establishes between epic poetry and ...
... epic ? In the beginning , Bertolt Brecht applied that old word to his theater . Aristotle does not speak of epic theater , but only of epic poetry , tragedy , and comedy . The differences that he establishes between epic poetry and ...
Strona 84
Augusto Boal. - makes a type of theater completely different from what Aristotle understands by epic poetry and yet to that type of theater he applies the same name . For the first time in a theatrical spectacle , Piscator used motion ...
Augusto Boal. - makes a type of theater completely different from what Aristotle understands by epic poetry and yet to that type of theater he applies the same name . For the first time in a theatrical spectacle , Piscator used motion ...
Strona 208
... epic theater and 174 Voltaire 69 von Martin , Alfred , Sociology of the Renaissance 59-60 Vossler , Karl 58 war 9-11 , 24 , 54 , 60 , 84 , 103 Wartime ( musical ) 166 " Western " movies 47 , 114 Williams , Tennessee 75-7 , 183 Night of ...
... epic theater and 174 Voltaire 69 von Martin , Alfred , Sociology of the Renaissance 59-60 Vossler , Karl 58 war 9-11 , 24 , 54 , 60 , 84 , 103 Wartime ( musical ) 166 " Western " movies 47 , 114 Williams , Tennessee 75-7 , 183 Night of ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
What does Tragedy Imitate? | 12 |
The Degrees of Virtue | 21 |
Prawa autorskie | |
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abstract actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catastrophe catharsis character character's Chorus concrete conflict created Creon dramatic action emotions empathy epic poetry esthetic example exist fact feudal function Galy Gay hamartia hand happened happiness Hegel hero human ideas interpretation Joker live Machiavelli masks matter means Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political possible present produced proposed protagonist reality relation reveals ritual role São Paulo scene social ethos society soul spectator stage story structure symbol system of tragedy technique theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values virtù virtue virtuous woman words Zumbi