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Strona 83
The "Epic" Concept The greatest obstacle to comprehension of the extraordinary
changes produced in the theater by the contribution of Marxism lies in a ...
Aristotle does not speak of epic theater, but only of epic poetry, tragedy, and
comedy.
The "Epic" Concept The greatest obstacle to comprehension of the extraordinary
changes produced in the theater by the contribution of Marxism lies in a ...
Aristotle does not speak of epic theater, but only of epic poetry, tragedy, and
comedy.
Strona 86
Types of Poetry in Hegel For Hegel, epic poetry presents "a complete world,
whose ideal or essential content must be spread before us under the external
guise of human actions, events, and other manifestations of soul- life. . . "2 For
him all ...
Types of Poetry in Hegel For Hegel, epic poetry presents "a complete world,
whose ideal or essential content must be spread before us under the external
guise of human actions, events, and other manifestations of soul- life. . . "2 For
him all ...
Strona 87
Augusto Boal. Lyric poetry is exactly opposite to epic poetry. "Its content is that
within ourselves, the ideal world, the contemplative or emotional life of soul,
which instead of following up actions, remains at home with itself in its own ideal
realm, ...
Augusto Boal. Lyric poetry is exactly opposite to epic poetry. "Its content is that
within ourselves, the ideal world, the contemplative or emotional life of soul,
which instead of following up actions, remains at home with itself in its own ideal
realm, ...
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LibraryThing Review
Recenzja użytkownika - RKC-Drama - LibraryThingThis new edition of Theatre of the Oppressed brings a classic work on radical drama fully up to date and includes a new foreword by the author Augusto Boal. Boal restores theatre to its proper place ... Przeczytaj pełną recenzję
Spis treści
Aristotles Coercive System of Tragedy | 1 |
Machiavelli and the Poetics of Virtu | 51 |
The Character as Subject or | 81 |
Prawa autorskie | |
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abstract actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catastrophe catharsis character character's Chorus concrete conflict created Creon Dale Carnegie dramatic action emotions empathy epic poetry epic theater esthetic example exist fact feudal function Galy Gay hamartia hand happened happiness Hegel hero human ideas interpretation Joker live Machiavelli masks matter means moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political possible present produced proposed Protagonist reality relation reveals ritual role scene social ethos society soul spectator stage story structure symbol system of tragedy technique theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values virtue virtuous woman words Zumb'i