Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
Z wnętrza książki
Wyniki 1 - 3 z 12
Strona 37
... catastrophe . The happy end is not permitted , though the character's physical destruction is not absolutely re- quired . Some die ; others see their loved ones die . In any case , the catastrophe is always such that not to die is worse ...
... catastrophe . The happy end is not permitted , though the character's physical destruction is not absolutely re- quired . Some die ; others see their loved ones die . In any case , the catastrophe is always such that not to die is worse ...
Strona 43
... catastrophe . Observed from the point of view of Pablo , it is a conventional , classical , Aristotelian scheme . Everything in Pablo was virtue , with the exception of his tragic flaw - doubting God . For him there is indeed a catastrophe ...
... catastrophe . Observed from the point of view of Pablo , it is a conventional , classical , Aristotelian scheme . Everything in Pablo was virtue , with the exception of his tragic flaw - doubting God . For him there is indeed a catastrophe ...
Strona 48
... catastrophe does not inspire pity , which is a necessary part of the mechanism of empathy . A totally good character who ends in catastrophe is not a model either and , on the contrary , violates the sense of justice . This is the case ...
... catastrophe does not inspire pity , which is a necessary part of the mechanism of empathy . A totally good character who ends in catastrophe is not a model either and , on the contrary , violates the sense of justice . This is the case ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
Machiavelli and the Poetics of Virtù | 2 |
ix | 21 |
Prawa autorskie | |
Nie pokazano 8 innych sekcji
Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser art and science artist asked audience Augusto Boal become Bertolt Brecht bourgeois bourgeoisie Brecht catastrophe catharsis character character's characteristics Chorus coercive system concrete conflict created Creon criteria dianoia dramatic action emotions empathy epic epic poetry esthetic ethical example exist feudal function Greek habits hamartia happens happiness Hegel Heraclitus hero human ideas Jacob Bernays Joker laws live Machiavelli masks matter moral movement nature necessary object Oedipus Parmenides participants passions perfect performance peripeteia person pity and fear Plato play poetics poetry political presented protagonist purged rational soul reality reason ritual scene Social Ethos society spectator stage story structure system of tragedy theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous behavior woman words Zumbi