Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
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Strona 14
... behavior itself , but in the fact that that behavior is recognized by others . Man , in order to be happy , needs the approval of others . Finally , the superior level of happiness is that of the man who acts virtuously and asks no more ...
... behavior itself , but in the fact that that behavior is recognized by others . Man , in order to be happy , needs the approval of others . Finally , the superior level of happiness is that of the man who acts virtuously and asks no more ...
Strona 15
... behavior in any given situation . Virtue cannot be found in the extremes : both the man who voluntarily refuses to eat and the glutton harm their health . This is not virtuous behavior ; to eat with moderation is . The absence of ...
... behavior in any given situation . Virtue cannot be found in the extremes : both the man who voluntarily refuses to eat and the glutton harm their health . This is not virtuous behavior ; to eat with moderation is . The absence of ...
Strona 16
... behavior and virtue is behavior characterized neither by excess nor deficiency . But if any given behavior is to be seen as either vicious or virtuous , it must fulfill four indispensable conditions : willfulness , freedom , knowledge ...
... behavior and virtue is behavior characterized neither by excess nor deficiency . But if any given behavior is to be seen as either vicious or virtuous , it must fulfill four indispensable conditions : willfulness , freedom , knowledge ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
What does Tragedy Imitate? | 12 |
The Degrees of Virtue | 21 |
Prawa autorskie | |
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abstract actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catastrophe catharsis character character's Chorus concrete conflict created Creon dramatic action emotions empathy epic poetry esthetic example exist fact feudal function Galy Gay hamartia hand happened happiness Hegel hero human ideas interpretation Joker live Machiavelli masks matter means Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political possible present produced proposed protagonist reality relation reveals ritual role São Paulo scene social ethos society soul spectator stage story structure symbol system of tragedy technique theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values virtù virtue virtuous woman words Zumbi