Theater of the oppressed |
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Strona 37
In order to avoid that, the tragic character must also pass through what Aristotle
calls anagnorisis — that is, through the recognition of his flaw as such and, by
means of reasoning, the explanation of it. The hero accepts his error, hoping that,
...
In order to avoid that, the tragic character must also pass through what Aristotle
calls anagnorisis — that is, through the recognition of his flaw as such and, by
means of reasoning, the explanation of it. The hero accepts his error, hoping that,
...
Strona 49
C. The anagnorisis is a fundamental and very important element of the system. It
can be the recognition made by the character himself, and thus empathically this
recognition is transferred to the spectator. But in any case, the recognition is ...
C. The anagnorisis is a fundamental and very important element of the system. It
can be the recognition made by the character himself, and thus empathically this
recognition is transferred to the spectator. But in any case, the recognition is ...
Strona 95
Emotion. 7. At the end, the conflict is resolved, and a new scheme of wills is
created. Hamartia prevents the character's adaptation to society, and this is the
fundamental cause of the dramatic action. Anagnorisis justifies the society. It is
action ...
Emotion. 7. At the end, the conflict is resolved, and a new scheme of wills is
created. Hamartia prevents the character's adaptation to society, and this is the
fundamental cause of the dramatic action. Anagnorisis justifies the society. It is
action ...
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Recenzja użytkownika - RKC-Drama - LibraryThingThis new edition of Theatre of the Oppressed brings a classic work on radical drama fully up to date and includes a new foreword by the author Augusto Boal. Boal restores theatre to its proper place ... Przeczytaj pełną recenzję
Spis treści
Aristotles Coercive System of Tragedy | 1 |
Machiavelli and the Poetics of Virtu | 51 |
The Character as Subject or | 81 |
Prawa autorskie | |
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Kluczowe wyrazy i wyrażenia
abstract actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catastrophe catharsis character character's Chorus concrete conflict created Creon Dale Carnegie dramatic action emotions empathy epic poetry epic theater esthetic example exist fact feudal function Galy Gay hamartia hand happened happiness Hegel hero human ideas interpretation Joker live Machiavelli masks matter means moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political possible present produced proposed Protagonist reality relation reveals ritual role scene social ethos society soul spectator stage story structure symbol system of tragedy technique theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values virtue virtuous woman words Zumb'i
Informacje bibliograficzne
| Tytuł | Theater of the oppressed Pluto Classics Series |
| Autor | Augusto Boal |
| Wydanie | 3, ilustrowane |
| Wydawca | Pluto, 2000 |
| ISBN | 0745316581, 9780745316581 |
| Liczba stron | 208 |
| Eksportuj cytowanie | BiBTeX EndNote RefMan |