Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
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Augusto Boal. What does Tragedy Imitate ? Tragedy imitates human acts . Human acts , not merely human activities . For Aristotle , man's soul was composed of a rational part and of another , irrational part . The irrational soul could ...
Augusto Boal. What does Tragedy Imitate ? Tragedy imitates human acts . Human acts , not merely human activities . For Aristotle , man's soul was composed of a rational part and of another , irrational part . The irrational soul could ...
Strona 13
Augusto Boal. action worthy of tragedy . It is necessary that that passion be constant in the man ; that is , that by its repeated exertion it has become a habit . Thus we conclude that tragedy imitates man's actions , but only those ...
Augusto Boal. action worthy of tragedy . It is necessary that that passion be constant in the man ; that is , that by its repeated exertion it has become a habit . Thus we conclude that tragedy imitates man's actions , but only those ...
Strona 21
... Tragedy imitates those actions of man which have the good as their goal ; but it does not imitate actions which have minor ends , of secondary importance . Tragedy imitates actions that are directed toward the highest goal , the ...
... Tragedy imitates those actions of man which have the good as their goal ; but it does not imitate actions which have minor ends , of secondary importance . Tragedy imitates actions that are directed toward the highest goal , the ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
Machiavelli and the Poetics of Virtù | 2 |
ix | 21 |
Prawa autorskie | |
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser art and science artist asked audience Augusto Boal become Bertolt Brecht bourgeois bourgeoisie Brecht catastrophe catharsis character character's characteristics Chorus coercive system concrete conflict created Creon criteria dianoia dramatic action emotions empathy epic epic poetry esthetic ethical example exist feudal function Greek habits hamartia happens happiness Hegel Heraclitus hero human ideas Jacob Bernays Joker laws live Machiavelli masks matter moral movement nature necessary object Oedipus Parmenides participants passions perfect performance peripeteia person pity and fear Plato play poetics poetry political presented protagonist purged rational soul reality reason ritual scene Social Ethos society spectator stage story structure system of tragedy theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous behavior woman words Zumbi