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Strona xiii
The play began modestly. In the middle of the poem, Thespis couldn't contain
himself. He felt strange, and shouted: "Hold me up, I feel faint, I'm going to have a
fit!" No one held him up. Then he jumped out of the Chorus and answered them.
The play began modestly. In the middle of the poem, Thespis couldn't contain
himself. He felt strange, and shouted: "Hold me up, I feel faint, I'm going to have a
fit!" No one held him up. Then he jumped out of the Chorus and answered them.
Strona xiv
Thespis was becoming a person who hurled himself into the unknown. He makes
mistakes, but takes the consequences — as you sow, so shall you reap. Thespis
looked Solon straight in the eye and answered him unabashed: "No, I'm not ...
Thespis was becoming a person who hurled himself into the unknown. He makes
mistakes, but takes the consequences — as you sow, so shall you reap. Thespis
looked Solon straight in the eye and answered him unabashed: "No, I'm not ...
Strona xv
The audience at this memorable first night — not counting the usual handful of
moaners — loved the idea. They wanted more. Improvisation is life. Deadlock.
Now what? Thespis didn't want to give the impression of lying, and he didn't want
to ...
The audience at this memorable first night — not counting the usual handful of
moaners — loved the idea. They wanted more. Improvisation is life. Deadlock.
Now what? Thespis didn't want to give the impression of lying, and he didn't want
to ...
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LibraryThing Review
Recenzja użytkownika - RKC-Drama - LibraryThingThis new edition of Theatre of the Oppressed brings a classic work on radical drama fully up to date and includes a new foreword by the author Augusto Boal. Boal restores theatre to its proper place ... Przeczytaj pełną recenzję
Spis treści
Aristotles Coercive System of Tragedy | 1 |
Machiavelli and the Poetics of Virtu | 51 |
The Character as Subject or | 81 |
Prawa autorskie | |
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