Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
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... Aristotelian . The essence of Aristotelian thought cannot reside in structural aspects such as these . To emphasize these minor aspects is , in effect , to compare the Greek philosopher to the modern and abundant pro- fessors of ...
... Aristotelian . The essence of Aristotelian thought cannot reside in structural aspects such as these . To emphasize these minor aspects is , in effect , to compare the Greek philosopher to the modern and abundant pro- fessors of ...
Strona 56
... Aristotelian . We believe that this statement is based on the least important aspect of the Poetics , that is , on the unfortunately famous law of the three unities . This law has no validity as such , and not even the Greek tragedians ...
... Aristotelian . We believe that this statement is based on the least important aspect of the Poetics , that is , on the unfortunately famous law of the three unities . This law has no validity as such , and not even the Greek tragedians ...
Strona 106
... Aristotelian " work . Why is it described in this way ? Because it is a realistic work , which conforms to the famous " three unities " of time , place , and action . But there all the supposed Aristotelian characteristics of the work ...
... Aristotelian " work . Why is it described in this way ? Because it is a realistic work , which conforms to the famous " three unities " of time , place , and action . But there all the supposed Aristotelian characteristics of the work ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
What does Tragedy Imitate? | 12 |
The Degrees of Virtue | 21 |
Prawa autorskie | |
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abstract actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catastrophe catharsis character character's Chorus concrete conflict created Creon dramatic action emotions empathy epic poetry esthetic example exist fact feudal function Galy Gay hamartia hand happened happiness Hegel hero human ideas interpretation Joker live Machiavelli masks matter means Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political possible present produced proposed protagonist reality relation reveals ritual role São Paulo scene social ethos society soul spectator stage story structure symbol system of tragedy technique theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values virtù virtue virtuous woman words Zumbi