The Plays of William Shakspeare. In Fifteen Volumes: With the Corrections and Illustrations of Various Commentators. To which are Added, Notes by Samuel Johnson and George Steevens..H. Baldwin, 1793 |
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Strona 36
... prologue to one of the parts of Henry the Fourth ; and , fays Dr. Dodd , Shakspeare had doubt- lefs a view to either Virgil or Ovid in their de- scription of Fame . But why fo ? Stephen Hawes , in his Paftime of Pleafure had long before ...
... prologue to one of the parts of Henry the Fourth ; and , fays Dr. Dodd , Shakspeare had doubt- lefs a view to either Virgil or Ovid in their de- scription of Fame . But why fo ? Stephen Hawes , in his Paftime of Pleafure had long before ...
Strona 38
... Prologue to Troilus and Creffida , ( which , by the way , is not met with in the quarto , ) Mr. Theobald informs us , that the very names of the gates of Troy , have been barbarously demolished by the editors : and a deal of learned ...
... Prologue to Troilus and Creffida , ( which , by the way , is not met with in the quarto , ) Mr. Theobald informs us , that the very names of the gates of Troy , have been barbarously demolished by the editors : and a deal of learned ...
Strona 118
... nor Henry III . were born in London . See the Differtation above - cited , p . 12 . 9 The Wif of Bathes Prologue , v . 6137. Tyrwhitt's edit . The merchants who frequented these fairs in nu- merous caravans 118 HISTORICAL ACCOUNT.
... nor Henry III . were born in London . See the Differtation above - cited , p . 12 . 9 The Wif of Bathes Prologue , v . 6137. Tyrwhitt's edit . The merchants who frequented these fairs in nu- merous caravans 118 HISTORICAL ACCOUNT.
Strona 120
... prologue it is faid to be an imitation of Euripides , and that this is the first time the Virgin Mary had been introduced on the ftage . The fashion of acting spiritual dramas , in which at first a due degree of method and decorum was ...
... prologue it is faid to be an imitation of Euripides , and that this is the first time the Virgin Mary had been introduced on the ftage . The fashion of acting spiritual dramas , in which at first a due degree of method and decorum was ...
Strona 129
... prologue , that these plays or interludes were not only played at Coventry , but in other towns and places upon occafion . poffibly this may be the fame play which Stow tells us was played in the reign of Henry IV . which lafted for ...
... prologue , that these plays or interludes were not only played at Coventry , but in other towns and places upon occafion . poffibly this may be the fame play which Stow tells us was played in the reign of Henry IV . which lafted for ...
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Popularne fragmenty
Strona 506 - To draw no envy, Shakespeare, on thy name, Am I thus ample to thy book and fame; While I confess thy writings to be such As neither man nor Muse can praise too much.
Strona 215 - Sometime we see a cloud that's dragonish; A vapour sometime like a bear or lion, A tower'd citadel, a pendent rock, A forked mountain, or blue promontory With trees upon't, that nod unto the world, And mock our eyes with air.
Strona 506 - And shake a stage; or, when thy socks were on Leave thee alone for the comparison Of all that insolent Greece or haughty Rome Sent forth, or since did from their ashes come. Triumph, my Britain, thou hast one to show To whom all scenes of Europe homage owe.
Strona 176 - True, representing some principal pieces of the reign of Henry the Eighth, which was set forth with many extraordinary circumstances of pomp and majesty, even to the matting of the stage ; the Knights of the order, with their Georges and Garter, the guards with their embroidered coats and the like; sufficient, in truth, within a while to make greatness very familiar, if not ridiculous.
Strona 315 - Jonson was never a good actor, but an excellent instructor. He began early to make Essayes at Dramatique Poetry, which at that time was very lowe, and his playes tooke well. He was a handsome well shap't man, very good company, and of a very readie and pleasant smooth witt.
Strona 182 - On this unworthy scaffold to bring forth So great an object: can this cockpit hold The vasty fields of France? or may we cram Within this wooden O the very casques That did affright the air at Agincourt?
Strona 506 - The applause, delight, the wonder of our stage! My Shakespeare, rise! I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie A little further, to make thee a room: Thou art a monument without a tomb, And art alive still while thy book doth live And we have wits to read and praise to give.
Strona 78 - How would it haue ioyed braue Talbot (the terror of the French) to thinke that after he had lyne two hundred yeares in his Tombe, hee should triumphe againe on the Stage, and haue his bones newe embalmed with the teares of ten thousand spectators at least (at seuerall times) who, in the Tragedian that represents his person, imagine they behold him fresh bleeding...
Strona 530 - This pencil take (she said), whose colours clear Richly paint the vernal year : Thine too these golden keys, immortal Boy ! This can unlock the gates of joy ; Of horror that...
Strona 137 - In the city of Gloucester the manner is (as I think it is in other like corporations) that, when players of enterludes come to...