The St Gall Passion Play: Music and PerformanceRodopi, 2007 - 460 The early-fourteenth-century St Gall Passion Play comes from the Central Rhineland. Unfortunately its music (over one hundred Latin and German chants) is given in the manuscript only as brief incipits, without any musical notation. This interdisciplinary study reconstructs the musical stratum of the play. It is the first full-scale musical reconstruction of a large German Passion play in recent times, using the latest available scholarly data in drama, liturgy and music. It draws conclusions about performance practice and forces, and offers a sound basis for an authentic performance of the play. The study applies musical and liturgical data to the problem of localizing the play (the first time this has been systematically attempted), and assesses how applicable this might be to other plays. It presents a detailed study of the distinctive medieval liturgical uses of three German dioceses, Mainz, Speyer and Worms. The comparative approach suggests how the music of other plays might be reconstructed and understood, and shows that a better understanding of the music of medieval drama has much to teach us about other aspects of the genre. The book should be of interest to literary scholars, theatre historians, musicologists, liturgical scholars, and those involved in the performance of early drama. |
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... Ritual and Drama Volume 3 : Between Folk and Liturgy Volume 4 : Carnival and the Carnivalesque Volume 5 : Moving Subjects Volume 6 : Farce and Farcical Elements Volume 7 : Cyclic Form and the English Mystery Plays Volume 8 : Acts and ...
... Ritual and Drama Volume 3 : Between Folk and Liturgy Volume 4 : Carnival and the Carnivalesque Volume 5 : Moving Subjects Volume 6 : Farce and Farcical Elements Volume 7 : Cyclic Form and the English Mystery Plays Volume 8 : Acts and ...
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... - Joachim Zie- geler ( ed . ) , Ritual und Inszenierung : Geistliches und weltliches Drama des Mittel- alters , Tübingen , 2004 , pp . 5-6 , 21 , 23 and note 113 . sion Play ( though not the play in the form 22 The St Gall Passion Play.
... - Joachim Zie- geler ( ed . ) , Ritual und Inszenierung : Geistliches und weltliches Drama des Mittel- alters , Tübingen , 2004 , pp . 5-6 , 21 , 23 and note 113 . sion Play ( though not the play in the form 22 The St Gall Passion Play.
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... ritual, a considerable diversity prevailed till early modern times.3 But for the period of the St Gall Passion Play one can properly speak, for the great bulk of the mass and office, of standardized local liturgy (Ortsliturgie or ...
... ritual, a considerable diversity prevailed till early modern times.3 But for the period of the St Gall Passion Play one can properly speak, for the great bulk of the mass and office, of standardized local liturgy (Ortsliturgie or ...
Strona 47
Music and Performance Peter Macardle. ninth, by ritual and musical developments from the Frankish tradi- tion.6 This was true even of very distinctive local uses such as that of Lyon or the English sees of Sarum (Salisbury) and York, and ...
Music and Performance Peter Macardle. ninth, by ritual and musical developments from the Frankish tradi- tion.6 This was true even of very distinctive local uses such as that of Lyon or the English sees of Sarum (Salisbury) and York, and ...
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... ritual of 1513, the breviary of 1517 and the missal of 1520.17 After Trent, a very limited accommodation to the Roman liturgy was made: the reformierter Mainz-römischer Ritus , first seen in the breviary of 1570, the ritual of 1599 and ...
... ritual of 1513, the breviary of 1517 and the missal of 1520.17 After Trent, a very limited accommodation to the Roman liturgy was made: the reformierter Mainz-römischer Ritus , first seen in the breviary of 1570, the ritual of 1599 and ...
Spis treści
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5 | |
7 | |
11 | |
21 | |
45 | |
79 | |
Cantat 151 dicat 151 respondeat Directions and Performers | 93 |
Localizing the Play | 123 |
Before the Passion | 165 |
The Passion 1 | 227 |
The Passion 2 | 281 |
The Resurrection and the Harrowing of Hell | 321 |
The Empty Tomb | 357 |
Conclusions | 391 |
Bibliography | 397 |
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