The St Gall Passion Play: Music and PerformanceRodopi, 2007 - 460 The early-fourteenth-century St Gall Passion Play comes from the Central Rhineland. Unfortunately its music (over one hundred Latin and German chants) is given in the manuscript only as brief incipits, without any musical notation. This interdisciplinary study reconstructs the musical stratum of the play. It is the first full-scale musical reconstruction of a large German Passion play in recent times, using the latest available scholarly data in drama, liturgy and music. It draws conclusions about performance practice and forces, and offers a sound basis for an authentic performance of the play. The study applies musical and liturgical data to the problem of localizing the play (the first time this has been systematically attempted), and assesses how applicable this might be to other plays. It presents a detailed study of the distinctive medieval liturgical uses of three German dioceses, Mainz, Speyer and Worms. The comparative approach suggests how the music of other plays might be reconstructed and understood, and shows that a better understanding of the music of medieval drama has much to teach us about other aspects of the genre. The book should be of interest to literary scholars, theatre historians, musicologists, liturgical scholars, and those involved in the performance of early drama. |
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Strona 21
... fourteenth century . The play may have originated before the start of the fourteenth century , indeed nu- merous scribal errors strongly suggest that the manuscript is a copy rather than an original ; but any earlier manuscript or ...
... fourteenth century . The play may have originated before the start of the fourteenth century , indeed nu- merous scribal errors strongly suggest that the manuscript is a copy rather than an original ; but any earlier manuscript or ...
Strona 25
... 14 Only a few St Gall Passion Play directions clearly describe a chant as a liturgical item antiphon, responsory, or ... fourteenth-century German plays. 13 Rudolf Schützeichel, Das Mittelrheinische Passionsspiel: Paläographie und Edi ...
... 14 Only a few St Gall Passion Play directions clearly describe a chant as a liturgical item antiphon, responsory, or ... fourteenth-century German plays. 13 Rudolf Schützeichel, Das Mittelrheinische Passionsspiel: Paläographie und Edi ...
Strona 31
... fourteenth-century manuscript it cannot be seen as decisive.31 The St Gall Passion Play is found in a Sammelhandschrift containing other very diverse material; but this is not its original home: it is in a separate booklet, later bound ...
... fourteenth-century manuscript it cannot be seen as decisive.31 The St Gall Passion Play is found in a Sammelhandschrift containing other very diverse material; but this is not its original home: it is in a separate booklet, later bound ...
Strona 42
... fourteenth century typically indicated it more fully . The most decisive of these criteria , however , was the unshifted initial and medial p found in the text ( pennig ; plegen ; schopper ) . This was untypical of early fourteenth - ...
... fourteenth century typically indicated it more fully . The most decisive of these criteria , however , was the unshifted initial and medial p found in the text ( pennig ; plegen ; schopper ) . This was untypical of early fourteenth - ...
Strona 46
... fourteenth century, apart from the very few non- Roman rites like the Ambrosian (Milan) and Mozarabic (Spain, from the eleventh century only Toledo),5 the western European dioceses used what, for all their jealously guarded ...
... fourteenth century, apart from the very few non- Roman rites like the Ambrosian (Milan) and Mozarabic (Spain, from the eleventh century only Toledo),5 the western European dioceses used what, for all their jealously guarded ...
Spis treści
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45 | |
79 | |
Cantat 151 dicat 151 respondeat Directions and Performers | 93 |
Localizing the Play | 123 |
Before the Passion | 165 |
The Passion 1 | 227 |
The Passion 2 | 281 |
The Resurrection and the Harrowing of Hell | 321 |
The Empty Tomb | 357 |
Conclusions | 391 |
Bibliography | 397 |
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Popularne fragmenty
Strona 227 - Vos nescitis quidquam; nee cogitatis, quia expedit vobis ut unus moriatur homo pro populo, et non tota gens pereat.
Strona 254 - Si ergo ego lavi pedes vestros, Dominus, et Magister: et vos debetis alter alterius lavare pedes.
Strona 227 - Collegerunt ergo pontífices et pharisaei concilium, et dicebant: Quid facimus? quia hic homo multa signa facit. Si dimittimus eum sic, omnes credent in eum; et venient Romani, et tollent nostrum locum et gentem.
Strona 383 - Te vicit dementia, Ut ferres nostra crimina Crudelem mortem patiens Ut nos a morte tolleres ! Inferni claustra penetrans, Tuos captivos redimens, Victor triumpho nobili, Ad dextram Patris residens.
Strona 129 - Tunc precingens se linteo et apprehensa pelvi cum aqua lavet pedes singulorum et cum pervenerit ad petrum cantet petrus ,Non lavabis< et dicat: Herre, meister, ez sal nit sin, 650 daz du waschest die vüze min.
Strona 147 - Quia ego sum. 10 Dicebant ergo ei: Quomodo aperti sunt tibi oculi ? 11 Respondit: Ille homo, qui dicitur lesus, lutum fecit: et unxit oculos meos, et dixit mihi: Vade ad natatoria Siloe, et lava. Et abii, lavi, et video.
Strona 151 - Et accedens tentator dixit ei: Si Filius Dei es, dic ut lapides isti panes fiant.
Strona 274 - Tanquam ad latronem existis cum gladiis et fustibus comprehendere me; quotidie apud vos sedebam docens in templo, et non me tenuistis.
Strona 191 - Scriptum est: Non in solo pane vivit homo, sed in omni verbo, quod procedit de ore Dei.
Strona 133 - Non lavabis mihi pedes in aeternum ! " Respondit ei JESUS : " Si non lavero te, non habebis partem mecum.