The St Gall Passion Play: Music and PerformanceRodopi, 2007 - 460 The early-fourteenth-century St Gall Passion Play comes from the Central Rhineland. Unfortunately its music (over one hundred Latin and German chants) is given in the manuscript only as brief incipits, without any musical notation. This interdisciplinary study reconstructs the musical stratum of the play. It is the first full-scale musical reconstruction of a large German Passion play in recent times, using the latest available scholarly data in drama, liturgy and music. It draws conclusions about performance practice and forces, and offers a sound basis for an authentic performance of the play. The study applies musical and liturgical data to the problem of localizing the play (the first time this has been systematically attempted), and assesses how applicable this might be to other plays. It presents a detailed study of the distinctive medieval liturgical uses of three German dioceses, Mainz, Speyer and Worms. The comparative approach suggests how the music of other plays might be reconstructed and understood, and shows that a better understanding of the music of medieval drama has much to teach us about other aspects of the genre. The book should be of interest to literary scholars, theatre historians, musicologists, liturgical scholars, and those involved in the performance of early drama. |
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Strona 21
... biblical poem which influenced the Hessian plays ' depiction of the Passion . Scribal errors : Schützeichel ( ed . ) , Das Mittelrheinische Passionsspiel , pp . 56-60 ; cf. Rolf Bergmann , Studien zu the play , which may have preserved ...
... biblical poem which influenced the Hessian plays ' depiction of the Passion . Scribal errors : Schützeichel ( ed . ) , Das Mittelrheinische Passionsspiel , pp . 56-60 ; cf. Rolf Bergmann , Studien zu the play , which may have preserved ...
Strona 26
... , Das Mittelrheinische Pas- sionsspiel, pp. 90-91; cf. Bergmann, Katalog, pp. 26-27; Steinbach, Oster- und Passionsspiele, p. 138, note 44. them on the basis of biblical text, producing results which 26 The St Gall Passion Play.
... , Das Mittelrheinische Pas- sionsspiel, pp. 90-91; cf. Bergmann, Katalog, pp. 26-27; Steinbach, Oster- und Passionsspiele, p. 138, note 44. them on the basis of biblical text, producing results which 26 The St Gall Passion Play.
Strona 27
Music and Performance Peter Macardle. them on the basis of biblical text, producing results which are wrong in a great many cases. Yet ironically, Rudolf Schützeichels compendious edition of 1978 is most disappointing of all in respect ...
Music and Performance Peter Macardle. them on the basis of biblical text, producing results which are wrong in a great many cases. Yet ironically, Rudolf Schützeichels compendious edition of 1978 is most disappointing of all in respect ...
Strona 31
... biblical texts quoted in the play; a text preserved in a manuscript containing other, miscellaneous material. Several of these criteria together can reliably indicate the pure Lesehandschrift.30 Only two of these features apply to St ...
... biblical texts quoted in the play; a text preserved in a manuscript containing other, miscellaneous material. Several of these criteria together can reliably indicate the pure Lesehandschrift.30 Only two of these features apply to St ...
Strona 48
... biblical verses performed to reciting tones , items from the repertoire of “ litur- gical drama " , and a few hymns , the vast majority of chants used in the Passion and Easter plays are office chants from the temporale ( Epiph- any ...
... biblical verses performed to reciting tones , items from the repertoire of “ litur- gical drama " , and a few hymns , the vast majority of chants used in the Passion and Easter plays are office chants from the temporale ( Epiph- any ...
Spis treści
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5 | |
7 | |
11 | |
21 | |
45 | |
79 | |
Cantat 151 dicat 151 respondeat Directions and Performers | 93 |
Localizing the Play | 123 |
Before the Passion | 165 |
The Passion 1 | 227 |
The Passion 2 | 281 |
The Resurrection and the Harrowing of Hell | 321 |
The Empty Tomb | 357 |
Conclusions | 391 |
Bibliography | 397 |
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Strona 227 - Collegerunt ergo pontífices et pharisaei concilium, et dicebant: Quid facimus? quia hic homo multa signa facit. Si dimittimus eum sic, omnes credent in eum; et venient Romani, et tollent nostrum locum et gentem.
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Strona 147 - Quia ego sum. 10 Dicebant ergo ei: Quomodo aperti sunt tibi oculi ? 11 Respondit: Ille homo, qui dicitur lesus, lutum fecit: et unxit oculos meos, et dixit mihi: Vade ad natatoria Siloe, et lava. Et abii, lavi, et video.
Strona 151 - Et accedens tentator dixit ei: Si Filius Dei es, dic ut lapides isti panes fiant.
Strona 274 - Tanquam ad latronem existis cum gladiis et fustibus comprehendere me; quotidie apud vos sedebam docens in templo, et non me tenuistis.
Strona 191 - Scriptum est: Non in solo pane vivit homo, sed in omni verbo, quod procedit de ore Dei.
Strona 133 - Non lavabis mihi pedes in aeternum ! " Respondit ei JESUS : " Si non lavero te, non habebis partem mecum.