A History of Modern English Romanticism, Tom 1H. Milford, 1924 - 246 |
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Strona 10
... Faerie Queene " ( 1715 ) Hughes drew a parallel between Roman and Gothic architecture . " To compare it ( i.e. " The Faerie Queene " ) with the models of Antiquity would be like drawing a parallel between the Roman and the Gothick archi ...
... Faerie Queene " ( 1715 ) Hughes drew a parallel between Roman and Gothic architecture . " To compare it ( i.e. " The Faerie Queene " ) with the models of Antiquity would be like drawing a parallel between the Roman and the Gothick archi ...
Strona 19
... Faerie Queene in 1751 , 1758 , and 1758-59 and of the Shepheardes Calender in 1732 and 1758 . 20 POPULARITY of Milton 1 ) , over a hundred English Editions of Spenser, Shakespeare Milton in the Eighteenth Century.
... Faerie Queene in 1751 , 1758 , and 1758-59 and of the Shepheardes Calender in 1732 and 1758 . 20 POPULARITY of Milton 1 ) , over a hundred English Editions of Spenser, Shakespeare Milton in the Eighteenth Century.
Strona 20
... Faerie Queene " had been reprinted seven times 4 ) . In the Restoration days Spenser's poems were but little sold . In William London's " Catalogue of the most vendible books in Eng- land " ( 1658 ) Spenser is not mentioned and in ...
... Faerie Queene " had been reprinted seven times 4 ) . In the Restoration days Spenser's poems were but little sold . In William London's " Catalogue of the most vendible books in Eng- land " ( 1658 ) Spenser is not mentioned and in ...
Strona 22
... Faerie Queene " . In the opening lines of his " Remarks on the Fairy Queen ” ( 1715 , 2nd edition 1750 ) he said : " The chief merit of this Poem consists in that surprising vein of fabulous invention , which runs through it , and ...
... Faerie Queene " . In the opening lines of his " Remarks on the Fairy Queen ” ( 1715 , 2nd edition 1750 ) he said : " The chief merit of this Poem consists in that surprising vein of fabulous invention , which runs through it , and ...
Strona 23
... Faerie Queene " . For , as Hughes observes , Spenser " chose to frame his Fable after a Model which might give the greatest Scope to that Range of Fancy which was so remarkably his Talent . " Hughes ' attitude towards " The Faerie Queene ...
... Faerie Queene " . For , as Hughes observes , Spenser " chose to frame his Fable after a Model which might give the greatest Scope to that Range of Fancy which was so remarkably his Talent . " Hughes ' attitude towards " The Faerie Queene ...
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Addison admired allegory archaisms attitude Augustan Aylet beauty Blair blank verse blank verse poems Bleinheim burlesque Castle of Indolence Chaucer classic Cowper critical Croxall's Cyder Diss Dryden early edition of Spenser Edmund Spenser eighteenth century poetry Elizabethan English Literature English Poetry English Romantic Essay Faerie Queene Fairy genius Gothic Grongar Hill heroic couplets History of English Hughes James Thomson John Philips language Latin Leipzig literary London melancholy metre Miltonians Miltonic diction minor poems Miscellanies Modern Romanticism Muse Nature Nicholas Rowe nineteenth century Original Canto Oxford Paradise Lost pastoral Penseroso Poetical poets Pope Pope's popular praise preface printed Prior prose published R. D. Havens reprinted rhyme Samuel Croxall says Shakespeare Shenstone song sonnets Spen Spenser's diction Spenserian imitations Spenserian poems Spenserian stanza spirit Splendid Shilling style Thomas Warton translation Virgil William Shenstone words write written wrote Young
Popularne fragmenty
Strona 112 - The Measure is English Heroic Verse without Rime, as that of Homer in Greek, and of Virgil in Latin ; Rime being no necessary Adjunct or true ornament of Poem or good Verse, in longer Works especially, but the Invention of a barbarous Age, to set off wretched Matter and lame Meeter...
Strona 97 - Full oft by holy feet our ground was trod, Of clerks good plenty here you mote espy. A little, round, fat, oily man of God, Was one I chiefly mark'd among the fry : He had a roguish twinkle in his eye, And shone all glittering with ungodly dew, If a tight damsel chaunc'd to trippen by ; Which when observ'd, he shrunk into his mew, And straight would recollect his piety anew.
Strona 110 - Tower, as the deep-domed empyrean Rings to the roar of an angel onset— Me rather all that bowery loneliness, The brooks of Eden mazily murmuring, And bloom profuse and cedar arches Charm, as a wanderer out in ocean, Where some refulgent sunset of India...
Strona 230 - What we have gotten by this revolution, you will say, is a great deal of good sense. What we have lost is a world of fine fabling; the illusion of which is so grateful to the charmed spirit that in spite of philosophy and fashion.
Strona 215 - WHEN I am in a serious humour, I very often walk by myself in Westminster Abbey : where the gloominess of the place, and the use to which it is applied, with the solemnity of the building, and the condition of the people who lie in it, are apt to fill the mind with a kind of melancholy, or rather thoughtfulness that is not disagreeable.
Strona 94 - I don't know how it is, but she said very right : there is something in Spenser that pleases one as strongly in one's old age, as it did in one's youth. I read the Faerie Queene, when I was about twelve, with infinite delight; and I think it gave me as much, when I read it over about a year or two ago.
Strona 72 - The English have only to boast of Spenser and Milton, who neither of them wanted either genius or learning to have been perfect poets, and yet both of them are liable to many censures.
Strona 216 - But o'er the twilight groves, and dusky caves, Long-sounding aisles and intermingled graves, Black Melancholy sits, and round her throws A death-like silence, and a dread repose : Her gloomy presence saddens all the scene, Shades ev'ry flow'r, and darkens every green, Deepens the murmur of the falling floods, And breathes a browner horror on the woods...
Strona 129 - It is not therefore sufficient, that the language of an epic poem be perspicuous, unless it be also sublime. To this end it ought to deviate from the common forms and ordinary phrases of speech.
Strona 99 - E'en so through Brentford town, a town of mud, A herd of bristly swine is prick'd along; The filthy beasts, that never chew the cud, Still grunt, and squeak, and sing their troublous song, And oft they plunge themselves the mire among...