The Editorial Gaze: Mediating Texts in Literature and the ArtsPaul Eggert, Margaret Sankey Taylor & Francis, 1998 - 233 This volume traces the modern critical and performance history of this play, one of Shakespeare's most-loved and most-performed comedies. The essay focus on such modern concerns as feminism, deconstruction, textual theory, and queer theory. |
Spis treści
T H HowardHill | 51 |
Richard Fotheringham | 119 |
Mary Jane Edwards | 129 |
Margaret Sankey | 141 |
Mary Chan | 157 |
Jeff Brownrigg | 193 |
Robyn Holmes | 209 |
Note on Contributors | 227 |
Inne wydania - Wyświetl wszystko
The Editorial Gaze: Mediating Texts in Literature and the Arts Paul Eggert,Margaret Sankey Ograniczony podgląd - 2014 |
The Editorial Gaze: Mediating Texts in Literature and the Arts Paul Eggert,Margaret Sankey Ograniczony podgląd - 2014 |
Kluczowe wyrazy i wyrażenia
Altar Australian authentic authorial intention authorship Bad Quarto bibliographical Cambridge cancelling Cataloguing Rules century Church Church-porch Codex Regius contemporary context copy copy-text critical edition cultural Cyrano Derrida discussion Djambidj document doth early editorial theory editors English essay evidence example Folio forgery Foucault Golden Dog Greetham Han van Meegeren haue headline Herbert's idiolect interpretation James MacPherson John Keats King Lear Kirby's Library literary London Lord matter McGann's McLeod meaning modern editions Munich manuscript North novel oral text original Oxford Paris manuscript Paul Eggert performance Piers Plowman plate play poem Porch problem production Quarto quatrains Quebec question readers reading reconstruction recto relationship revised Roger North scholarly edition score Shakespeare sound recordings speech stanza Studies in Bibliography Superliminare Sydney Temple Textual Criticism thee thou tion tradition University of Sydney Urkowitz variants verse voice White Kennett William Kirby William Kirby Collection writing written York