 At the heart of each of us, whatever our imperfections, there exists a silent pulse of perfect rhythm, a complex of wave forms and resonances, which is absolutely individual and unique, and yet which connects us to everything in the universe.  The Silent Pulse - Strona 11autor: George Leonard - 2009Ograniczony podgląd - Informacje o książce
 | George S. Kanahele - 1992 - Liczba stron: 566
...of each of us, whatever our imperfections, there exists a silent pulse of perfect rhythm, a complex of wave forms and resonances, which is absolutely...which connects us to everything in the universe." For example, when we look at our physical selves, we find that most of our internal system operates... | |
 | Linda Topf - 1995 - Liczba stron: 260
[ Niestety, treść tej strony jest ograniczona ] | |
 | Guru Rattana - 1996 - Liczba stron: 200
[ Niestety, treść tej strony jest ograniczona ] | |
 | Anodea Judith - 1999 - Liczba stron: 519
[ Niestety, treść tej strony jest ograniczona ] | |
 | Louise Montello - 2002 - Liczba stron: 312
...of each of us, whatever our imperfections, there exists a silent pulse of perfect rhythm, a complex of wave forms and resonances, which is absolutely...experience and in some way alter the world around us." 36 $ilent Tulse You can connect with this silent pulse by exploring your natural inner rhythms through... | |
 | Gregory J. P. Godek - 2003 - Liczba stron: 430
...imperfections, there exists a silent pulse of perfect rhythm, a complex of wave forms and resonance which is absolutely individual and unique and yet which connects us to everything in the universe." — George Leonard How is it that we can marvel at the uniqueness of a snowflake and then turn around... | |
 | Gregory J. P. Godek - 2003 - Liczba stron: 430
...imperfections, there exists a silent pulse of perfect rhythm, a complex of wave forms and resonance which is absolutely individual and unique and yet which connects us to everything in the universe." —George Leonard How is it that we can marvel at the uniqueness of a snowflake and then turn around... | |
| |
