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We venture to add that if there be anything in Shakespeare objectionable (and who is hardy enough to deny it), the very objections as well as the beauties are to be tried by the same rules; as the same plummet alike shows what is out of the perpendicular and what is in it, the same rules alike prove what is crooked and what is straight.

We cannot admit that geniuses, though prior to systems, were prior also to rules, because rules from the beginning existed in their own minds and were a part of that immutable truth which is eternal and everywhere. Aristotle, we know, did not form Homer, Sophocles, and Euripides; 'twas Homer, Sophocles, and Euripides that formed Aristotle. And this surely should teach us to pay attention to rules, inasmuch as they and genius are so reciprocally connected, that 'tis genius which discovers rules, and then rules which govern genius. Hermes.

166. Samuel Johnson, 1709-1784. (Handbook, pars. 415, 534.)

One of the great names in our literature. His high moral character, the sincerity of his religious convictions, the general soundness of his critical canons, the vigour of his style-all combine to excite respect and admiration.

Letter to the Earl of Chesterfield.

My Lord, I have been lately informed, by the proprietor of the World,' that two papers, in which my Dictionary is recommended to the public, were written by your lordship. To be so distinguished, is an honour, which, being very little accustomed to favours from the great, I know not well how to receive, or in what terms to acknowledge.

When, upon some slight encouragement, I first visited your lordship, I was overpowered, like the rest of mankind, by the enchantment of your address, and could not forbear to wish that I might boast myself Le vainqueur du vainqueur de la terre; that I might obtain that regard for which I saw the world contending; but I found my attendance so little encouraged, that neither pride nor modesty would suffer me to continue it. When I had once addressed your lordship in public, I had exhausted all the art of pleasing which a retired and uncourtly scholar can possess. I had done all that I could; and no man is well pleased to have his all neglected, be it ever so little.

Seven years, my lord, have now passed since I waited in your outward rooms, or was repulsed from your door; during which time I have been pushing on my work through difficulties, of which it is useless to complain, and have brought it, at last, tc the verge of publication, without one act of assistance, one word of encouragement, or one smile of favour. Such treatment I did not expect, for I never had a patron before.

The shepherd in Virgil grew at last acquainted with Love, and found him a native of the rocks.

Is not a patron, my lord, one who looks with unconcern on a man struggling for life in the water, and when he has reached the ground, encumbers him with help? The notice which you have been pleased to take of my labours, had it been early, had been kind; but it has been delayed till I am indifferent, and cannot enjoy it; till I am solitary, and cannot impart it; till I am known, and do not want it. I hope it is no very cynical asperity not to confess obligations where no benefit has been received, or to be unwilling that the public should consider me as owing that to a patron which Providence has enabled me to do for myself.

Having carried on my work thus far with so little obligation to any favourer of learning, I shall not be disappointed, though I should conclude it, if less be possible, with less; for I have been long wakened from that dream of hope, in which I once boasted myself with so much exultation, My lord,

Your lordship's most humble,
Most obedient servant,

SAM. JOHNSON.

His Dictionary.

In hope of giving longevity to that which its own nature forbids to be immortal, I have devoted this book, the labour of years, to the honour of my country, that we may no longer yield the palm of philology, without a contest, to the nations of the tontinent. The chief glory of every people arises from its authors: whether I shall add anything by my own writings to the reputation of English literature, must be left to time; much of my life has been lost under the pressures of disease; much has been trifled away; and much has always been spent in provision for the day that was passing over me; but I shall not think my

employment useless or ignoble, if, by my assistance, foreign nations and distant ages gain access to the propagators of knowledge, and understand the teachers of truth; if my labours afford light to the repositories of science, and add celebrity to Bacon, to Hooker, to Milton, and to Boyle. . . .

In this work, when it shall be found that much is omitted, let it not be forgotten that much likewise is performed; and though no book was ever spared out of tenderness to the author, and the world is little solicitous to know whence proceeded the faults of that which it condemns, yet it may gratify curiosity to inform it, that the English Dictionary was written with little assistance of the learned, and without any patronage of the great; not in the soft obscurities of retirement, or under the shelter of academic bowers, but amid inconvenience and distraction, in sickness and in sorrow. It may repress the triumph of malignant criticism to observe, that if our language is not here fully displayed, I have only failed in an attempt which no human powers have hitherto completed. If the lexicons of ancient tongues, now immutably fixed, and comprised in a few volumes, be yet, after the toil of successive ages, inadequate and delusive; if the aggregated knowledge and co-operating diligence of the Italian academicians did not secure them from the censure of Beni; if the embodied critics of France, when fifty years had been spent upon their work, were obliged to change its economy, and give their second edition another form, I may surely be contented without the praise of perfection, which, if I could obtain in this gloom of solitude, what would it avail me? I have protracted my work till most of those whom I wished to please have sunk into the grave, and success and miscarriage are empty sounds. I therefore dismiss it with frigid tranquillity, having little to fear or hope from censure or from praise.

Preface to Dictionary.

Influence of Meditation.

The great task of him who conducts his life by the precepts of religion, is to make the future predominate over the present, to impress upon his mind so strong a sense of the importance of obedience to the Divine will, of the value of the reward promised to virtue, and the terrors of the punishment denounced against crimes, as may overbear all the temptations which temporal hope

or fear can bring in his way, and enable him to bid equal defiance to joy and sorrow, to turn away at one time from the allurements of ambition, and push forward at another against the threats of calamity. It is not without reason that the Apostle represents our passage through this stage of our existence by images drawn from the alarms and solicitude of a military life; for we are placed in such a state, that almost everything about us conspires against our chief interest. We are in danger from whatever can get possession of our thoughts; all that can excite in us either pain or pleasure, has a tendency to obstruct the way that leads to happiness, and either to turn us aside or retard our progress. . . .

From the perpetual necessity of consulting the animal faculties in our provision for the present life arises the difficulty of withstanding their impulses, even in cases where they ought to be of no weight; for the motions of sense are instantaneous, its objects strike unsought, we are accustomed to follow its directions, and therefore often submit to the sentence without examining the authority of the judge. Thus it appears, upon a philosophical estimate, that, supposing the mind at any certain time in an equipoise between the pleasures of life and the hopes of futurity, present objects, falling more frequently into the scale, would in time preponderate; and that our regard for an invisible state would grow every moment weaker, till at last it would lose all its activity, and become absolutely without effect.

To prevent this dreadful event, the balance is put into our own hands, and we have power to transfer the weight to either side. The motives to a life of holiness are infinite, not less than the favour or anger of Omnipotence, not less than eternity of happiness or misery. But these can only influence our conduct as they gain our attention, which the business or diversions of the world are always calling off by contrary attractions. The great end, therefore, of piety, and the end for which all the rites of religion seem to be instituted, is the perpetual renovation of the motives to virtue, by a voluntary employment of our mind in the contemplation of its excellence, its importance, and its necessity, which, in proportion as they are more frequently and more willingly revolved, gain a more forcible and permanent influence, till in time they become the reigning ideas, the standing principles of action, and the test by which everything proposed to the judgment is rejected or approved. To facilitate this change of our affections, it is

necessary that we weaken the temptations of the world, by retiring at certain seasons from it; for its influence, arising only from its presence, is much lessened when it becomes the object of solitary meditation. A constant residence amidst noise and pleasure inevitably obliterates the impressions of piety, and a frequent abstraction of ourselves into a state where this life, like the next, operates only upon the reason, will reinstate religion in its just authority, even without those irradiations from above, the hope of which I have no intention to withdraw from the sincere and the diligent.

Rambler, No. vii.

The Reverence paid to ancient Writers: and the Excellences of Shakespeare. (In his later style.)

That praises are without reason lavished on the dead, and that the honours due only to excellence are paid to antiquity, is a complaint likely to be always continued by those who, being able to add nothing to truth, hope for eminence from the heresies of paradox; or those who, being forced by disappointment upon consolatory expedients, are willing to hope from posterity what the present age refuses, and flatter themselves that the regard which is yet denied by envy will be at least bestowed by time. Antiquity, like every other quality that attracts the notice of mankind, has undoubtedly votaries that reverence it not from reason but from prejudice. Some seem to admire indiscriminately whatever has been long preserved, without considering that time has sometimes co-operated with chance; all perhaps are more willing to honour past than present excellence; and the mind contemplates genius through the shades of age, as the eye surveys the sun through artificial opacity. The great contention of criticism is to find the faults of the moderns and the beauties of the ancients. While an author is yet living, we estimate his powers by his worst performances, and when he is dead, we rate them by his best.

Shakespeare may now begin to assume the dignity of an ancient, and claim the privilege of established fame and prescriptive veneration. He has long outlived his century, the term commonly fixed as the test of literary merit. Whatever advantages he might once derive from personal allusions, local customs, or temporary opinions, have for many years been lost; and every

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