From Achilles to Christ: Why Christians Should Read the Pagan ClassicsInterVarsity Press, 20 wrz 2009 "The heart of Christianity is a myth which is also a fact." --C. S. Lewis In From Achilles to Christ, Louis Markos introduces readers to the great narratives of classical mythology from a Christian perspective. From the battles of Achilles and the adventures of Odysseus to the feats of Hercules and the trials of Aeneas, Markos shows how the characters, themes and symbols within these myths both foreshadow and find their fulfillment in the story of Jesus Christ--the "myth made fact." Along the way, he dispels misplaced fears about the dangers of reading classical literature, and offers a Christian approach to the interpretation and appropriation of these great literary works. This engaging and eminently readable book is an excellent resource for Christian students, teachers and readers of classical literature. |
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Strona 7
... Aeschylus's Prometheus Bound: The Birth of Tragedy . . . . . . . . . . . 115 10 Aeschylus's Oresteia: Pagan Poets and Hebrew Prophets . . . . . . . . . . 124 11 Sophocles' Oedipus: The Human Scapegoat . . . . . . . . . . . . . . . . 135 ...
... Aeschylus's Prometheus Bound: The Birth of Tragedy . . . . . . . . . . . 115 10 Aeschylus's Oresteia: Pagan Poets and Hebrew Prophets . . . . . . . . . . 124 11 Sophocles' Oedipus: The Human Scapegoat . . . . . . . . . . . . . . . . 135 ...
Strona 22
... Aeschylus), to attest to the hidden nature of sin and the need for a scapegoat (the Oedipus of Sophocles), to prepare the heart for the arrival of a God-Man who will suffer (the legends of Heracles and the myths of Adonis) and who will ...
... Aeschylus), to attest to the hidden nature of sin and the need for a scapegoat (the Oedipus of Sophocles), to prepare the heart for the arrival of a God-Man who will suffer (the legends of Heracles and the myths of Adonis) and who will ...
Strona 23
... Aeschylus, Sophocles and Euripides; part three will consider the origin, plan and contents of Virgil's Roman epic, the Aeneid. I will not discuss the works of the supreme proto-Christian Plato, not because he is not vital but because he ...
... Aeschylus, Sophocles and Euripides; part three will consider the origin, plan and contents of Virgil's Roman epic, the Aeneid. I will not discuss the works of the supreme proto-Christian Plato, not because he is not vital but because he ...
Strona 83
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Spis treści
9 | |
25 | |
27 | |
A History of Conflict | 36 |
Civilization versus Barbarism | 49 |
A New Ethic | 60 |
From Wrath to Reconciliation | 69 |
Coming of Age | 79 |
The Tragedy of Character | 157 |
The Naïve and the Sentimental | 167 |
Apollonian versus Dionysiac | 179 |
VIRGIL | 191 |
The Sacred History of Rome | 193 |
The Making of a Roman Epic | 202 |
The Fall of Troy | 210 |
Aeneas and Dido | 219 |
Coming Home | 89 |
The Journeys of Odysseus | 100 |
THE GREEK TRAGEDIANS | 113 |
The Birth of Tragedy | 115 |
Pagan Poets and Hebrew Prophets | 124 |
The Human Scapegoat | 135 |
Questions of Duty | 146 |
To Hell and Back | 229 |
Just War? | 237 |
The Myth Made Fact | 247 |
Bibliographical Essay | 251 |
258 | |
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ACHILLES TO CHRIST Aeneas Aeneid Aeschylus Agamemnon allows ancient appears Athens battle become begins body Book characters Christian civilization comes course death desire Dido divine Electra embodies epic Euripides face fact fall father fear find first follow forces give glory gods Greek Greek Tragedies hand heart Hektor hero Homer honor hope human Iliad Italy kill king land leave less live look means mind mortal mother move nature Odysseus Oedipus offers once pagan past play plot poet present Press Prometheus reader remains Roman Rome seems sense ships Sophocles speaks spirit story struggle suffer Telemachus tells things tragedy tragic Trojan Troy true truth turn University Virgil virtues warrior wife women wrath Zeus