But our love it was stronger by far than the love of those who were older than we— Of many far wiser than we; and neither angels in heaven above 1 Nor the demon down under the sea, can ever dissever my soul from the soul For the moon never beams without bringing dreams of the beautiful Annabel Lee. And the stars never rise but I see the bright eyes of the beautiful Annabel Lee; And so all the night-tide, I lie down by the side of--my darling--my life and my bride, In her sepulchre there by the sea, in her tomb by the sounding sea. HEAR IX. THE BELLS. EDGAR A. POE. EAR the sledges with the bells-silver bells! what a world of merriment their melody foretells! How they tinkle, tinkle tinkle, in the icy air of night! while the stars, that oversprinkle all the heavens, seem to twinkle with a crystalline delight keeping time, time, time, in a sort of Runic rhyme, to the tintinnabulation that so musically wells from the bells, bells, bells, bells, bells, bells -from the jingling and the tinkling of the bells. Hear the mellow wedding bells, golden bells! what a world of happiness their harmony foretells! Through the balmy air of night how they ring out their delight! from the molten-golden notes, what a liquid ditty floats to the turtle-dove that listens, while she gloats on the moon! Oh, from out the sounding cells, what a gush of euphony voluminously wells! How it swells how it dwells on the future! how it tells of the rapture that impels to the swinging and the ringing of the bells, bells, bells; of the bells, bells! bells, bells! bells, bells! bells !—to the ryming and the chiming of the bells! Hear the loud alaru n-bells-brazen bells! What a tale of terror, now, their turbulency tells ! In the startled ear of night how they scream out their affright! Too much horrified to speak, they can only shriek, shriek, out of tune; in a clamorous appealing to the mercy of the fire! in a mad expostulation with the deaf and frantic fire, leaping higher, higher' higher! with a desperate desire, and a resolute endeavour, now now to sit or never, by the side of the pale-faced moon. Oh, the bells, bells, bells! what a tale their terror tells of despair! How they clang, and clash, and roar ! What a horror they outpour on the bosom of the palpitating air! Yet the ear it fully knows, by the twanging, and the clanging, how the danger ebbs and flows; ay! the ear distinctly tells, in the jangling, and the wrangling, how the danger sinks and swells, by the sinking, or the swelling, in the anger of the bells; of the bells-of the bells, bells! bells, bells, bells! bells! bells!—in the clamour and the clangour of the bells! Hear the tolling of the bells-iron bells ! What a world of solemn thought their monody compels! In the silence of the night, how we shiver with affright at the melancholy menace of their tone! For every sound that floats from the rust within their throats is a groan ! And the people—ah, the people—they that dwell up in the steeple, all alone, and who tolling, tolling, tolling, in that muffled monotone, feel a glory in so rolling on the human heart a stone-they are neither man nor woman—they are neither brute nor human-they are ghouls: and their king it is who tolls; and he rolls, rolls, rolls,—a pæan from the bells! and his bosom proudly swells with the pean of the bells!—And he dances and he yells; keeping time, time, time, in a sort of Runic rhyme, to the pean of the bells-of the bells! —to the throbbing of the bells-of the bells !—to the sobbing of the bells—of the bells!-keeping time, time, time, as he knells! knells! knells! to the rolling of the bells of the bells!-to the tolling of the bells-of the bells! bells! bells !—to the moaning, and the groaning, of the bells! X. THE RAVEN. EDGAR A. POE. NCE upon a midnight dreary, while I pondered, weak and weary Over many a quaint and curious volume of forgotten lore,— While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door. "Tis some visitor," I muttered, "tapping at my chamber door,Only this, and nothing more." Ah, distinctly, I remember it was in the bleak December, And the silken, sad, uncertain rustling of each purple curtain Presently my soul grew stronger; hesitating then no longer : Deep into that darkness peering, long I stood there, wondering, fearing, Back into the chamber turning, all my soul within me burning, 'Tis the wind, and nothing more. Open here I flung the shutter, when, with many a flirt and flutter, Perched, and sat, and nothing more. Then this ebony bird beguiling my sad fancy into smiling, By the grave and stern decorum of the countenance it wore, "Though thy crest be shorn and shaven, thou," I said, "art sure no craven, Much I marvelled this ungainly fowl to hear discourse so plainly, But the Raven, sitting lonely on that placid bust, spoke only Startled by the stillness broken by reply so aptly spoken, Of Never-nevermore.'" But the Raven still beguiling all my sad soul into smiling, Straight I wheeled a cushioned seat in front of bird, and bust, and door; Fancy unto fancy, thinking what this ominous bird of yore What this grim, ungainly, ghastly, gaunt, and ominous bird of yore This I sat engaged in guessing, but no syllable expressing She shall press, ah! nevermore! Then methought, the air grew denser, perfumed from an unseen censer "Wretch !" I cried, "thy God hath lent thee-by these angels he hath sent thee Respite-respite and nepenthe, from thy memories of Lenore! Quaff, O quaff this kind nepenthe, and forget this lost Lenore!" 66 Quoth the Raven, "Nevermore.” Prophet!" said I, "thing of evil !-prophet still, if bird or devil! Is there is there balm in Gilead?- tell me tell me, I implore !" 16 Prophet!" said I, "thing of evil!--prophet still, if bird or devil! "Be that word our sign of parting, bird or fiend!" I shrieked, upstarting, Leave my loneliness unbroken! quit the bust above my door! Take thy beak from out my heart, and take thy form from off my door!" And the Raven, never flitting, still is sitting, still is sitting And his eyes have all the seeming of a demon's that is dreaming, And the lamp-light o'er him streaming throws his shadow on the floor; Shall be lifted-nevermore! XI. THE FATE OF VIRGINIA. T. B. MACAULAY. In order to render the commencement less abrupt, six lines of introduction have been added to the extract from the fine ballad by Macaulay. "WHY HY is the Forum crowded? What means this stir in Rome ?" "Claimed as a slave, a free-born maid is dragged here from her home. On fair Virginia, Claudius has cast his eye of blight; The tyrant's creature, Marcus, asserts an owner's right, O, shame on Roman manhood! Was ever plot more clear? But look! the maiden's father comes! Behold Virginius here!'' Straightway Virginius led the maid a little space asidc, To where the reeking shambles stood, piled up with horn and hide Hard by, a butcher on a block had laid his whittle down, Virginius caught the whittle up, and hid it in his gown. And then his eyes grew very dim, and his throat began to swell, And in a hoarse, changed voice he spake, "Farewell, sweet child, farewell! The house that was the happiest within the Roman walls,- "The time is come. The tyrant points his eager hand this way; He little deems that, in this hand, I clutch what still can save With that, he lifted high the steel, and smote her in the side, A cry as if the Volscians were coming o'er the wall; And he hath passed in safety unto his woful home, And there ta'en horse to tell the camp what deed was done in Rome. XII. DORKINS' NIGHT. ANONYMOUS. THE theatre was full, it was Dorkins' night, that is, Dorkins was going to appear At night in a favorite comedy part, for he was comedian here. Funny? why, he'd make you laugh till the tears ran down your cheeks like rain, And as long as Dorkins was on the stage you'd try to stop laughing in vain. A family? yes, he'd a family, and he loved them as dear as life, And you'd scarcely find a happier lot than Dorkins' children and wife. There came one night, and I was in front, and Dorkins was going to play Each neck was stretched forth, and eagerly watched each eye For Dorkins to make his "first entrance," and then to give him a cheerful "Hi, hi!" To see how he'd struggle along with his part, and continually stick in his lines. (From his heart came a sob and a moan); I'll tell you the reason—-I know you won't laugh-I've a little one dying at home." |