A Dictionary of Music and Musicians (A.D. 1450-1880) by Eminent Writers, English and Foreign, Tom 1George Grove Macmillan, 1880 |
Z wnętrza książki
Wyniki 1 - 5 z 77
Strona 11
... example the mathematical demonstrations of Galileo in his " Trattato del Suon , ' the writings of the great Florentine theo- rist , Giambattista Doni ( a member of the literary academy Della Crusca ' ) , and Tartini's Trattato di Musica ...
... example the mathematical demonstrations of Galileo in his " Trattato del Suon , ' the writings of the great Florentine theo- rist , Giambattista Doni ( a member of the literary academy Della Crusca ' ) , and Tartini's Trattato di Musica ...
Strona 12
... examples , in which the strong accents are marked by a thick stroke ( - ) over the notes , and the weak ones by a thinner ( − ) . 4 . Presto . jp etc. HAYDN , Quartett , Op . 76 , No. 1 ( 1st move- ment ) . Allegro . 5. MOZART ...
... examples , in which the strong accents are marked by a thick stroke ( - ) over the notes , and the weak ones by a thinner ( − ) . 4 . Presto . jp etc. HAYDN , Quartett , Op . 76 , No. 1 ( 1st move- ment ) . Allegro . 5. MOZART ...
Strona 13
... example of Chandos anthem ' Let God arise . ' 13 . Let them al so that hate him flee be In the former of these examples the phrasing marked for the second and third bars shows that the accent in these is to fall on the second and fourth ...
... example of Chandos anthem ' Let God arise . ' 13 . Let them al so that hate him flee be In the former of these examples the phrasing marked for the second and third bars shows that the accent in these is to fall on the second and fourth ...
Strona 14
... example which is too long for quotation may be seen in the first movement of Clementi's Sonata in C , op . 36 , No ... examples will suffice : - 22. SCHUMANN , P. F. Concerto ( Finale ) . etc. Though no marks of phrasing are given here ...
... example which is too long for quotation may be seen in the first movement of Clementi's Sonata in C , op . 36 , No ... examples will suffice : - 22. SCHUMANN , P. F. Concerto ( Finale ) . etc. Though no marks of phrasing are given here ...
Strona 15
... example of this time is found in the third act of Wagner's " Tristan und Isolde , ' in which the composer has marked the secondary accent by a dotted bar . 25 . A similar exainple , developed at greater length , may be seen in the tenor ...
... example of this time is found in the third act of Wagner's " Tristan und Isolde , ' in which the composer has marked the secondary accent by a dotted bar . 25 . A similar exainple , developed at greater length , may be seen in the tenor ...
Inne wydania - Wyświetl wszystko
A Dictionary of Music and Musicians (A.D. 1450-1880): By Eminent Writers ... George Grove Podgląd niedostępny - 2009 |
Kluczowe wyrazy i wyrażenia
17th century accompaniment afterwards anthems appeared appoggiatura appointed Bach Bach's ballet band bass bassoon became Beethoven bells Berlin born called cantata Cathedral cello chant Chapel Royal choir choral chord church music clarinet clavichord collection composer compositions concerts conductor Conservatoire counterpoint Covent Garden death died double bass Drury Lane edition England English father Fétis French fugue German Handel harmony harpsichord Haydn instrument Italian Italy Johann King's Theatre Leipsic letter London master melody Mendelssohn ment Milan minor modern motets movement Mozart musician Musique Naples notes octave opera Opéra Comique oratorio orchestra organ organist original overture Paris passage performed piano pianoforte pieces played player produced Psalms published pupil quartets Rome sang score singer singing Society solo Sonata songs strings style success sung Symphony tenor Theatre tion tone trio tune Venice Vienna violin vocal voice words written wrote
Popularne fragmenty
Strona 442 - From harmony, from heavenly harmony This universal frame began: From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in Man.
Strona 226 - Lancashire, of which county he was a magistrate and deputy-lieutenant, and in 1870 he received the honorary degree of DCL from the University of Oxford.
Strona 325 - ... for the comforting of such that delight in music, it may be permitted that in the beginning or in the end of common prayers, either at morning or evening, there may be sung an hymn or such - like song to the praise of Almighty God, in the best sort of melody and music that may be conveniently devised, having respect that the sentence of the hymn may be understanded and perceived.
Strona 169 - I am that which is. I am all that is, that was, and that shall be. No mortal man hath lifted my veil. He is alone by Himself, and to Him alone do all things owe their being.
Strona 209 - I hope I may be forgiven, that I have not made my opera throughout unnatural, like those in vogue; for I have no recitative...
Strona 310 - prentice, making holiday with his sweetheart, treated her with a sight of Bedlam, the puppet-shows, the flying-chairs, and all the elegancies of Moorfields; from whence, proceeding to the Farthing Pye-house, he gave her a collation of buns, cheesecakes, gammon of bacon, stuffed beef, and bottled ale ; through all which scenes the author dodged them (charmed with the simplicity of their courtship), from whence he drew this little sketch of Nature...
Strona 460 - twixt thee and me, Because thou lov'st the one and I the other. Dowland to thee is dear, whose heavenly touch Upon the lute, doth ravish human sense; Spenser to me, whose deep conceit is such As passing all conceit, needs no defence. Thou lov'st to hear the sweet melodious sound That Phoebus...
Strona 309 - Betty; or, The Country Bumpkins, which met with a cold reception. In 33 he wrote and composed a musical entertainment called 'Cephalus and Procris," which was produced at Drury Lane Theatre with a pantomime interlude entitled ' Harlequin Volgi.' On Feb. 22, 1734, he produced at the Haymarket Theatre ' The most Tragical Tragedy that ever was Tragedized by any Company of Tragedians...
Strona 412 - Tell' in Paris. In a letter to his wife, written, on j.he very first night of performance, Weber says, ' My dear Lina, Thanks to God and to his all powerful will I obtained this evening the greatest success of my life. The emotion produced by such a triumph is more than I can describe. To God alone belongs the glory. When I entered the orchestra, the house, crammed to the roof, burst into a frenzy of applause. Hats and handkerchiefs were waved in the air. The overture had to be executed twice, as...
Strona 71 - ... accompanying the organ, was introduced a concert of twenty-four violins between every pause, after the French fantastical light way, better suiting a tavern, or playhouse, than a church. This was the first time of change, and now we no more heard the cornet which gave life to the organ ; that instrument quite left off in which the English were so skilful.