some lamps had been brought, and servants held them in their hands like torches. According to custom, all the servants of the house were present to bid a last farewell to the departed.

There was a little delay. Morano, who had been giving himself no end of trouble ever since morning, was forced to run off again as the triple coffin did not arrive. At last it came, some servants brought it up, and then they were able to begin. The Cardinal and Donna Serafina stood side by side near the bed. Pierre also was present, as well as Don Vigilio. It was Victorine who sewed the lovers up in the white silk shroud, which seemed like a bridal robe, the gay pure robe of their union. Then two servants came forward and helped Pierre and Don Vigilio to lay the bodies in the first coffin, of pine wood lined with pink satin. It was scarcely broader than an ordinary coffin, so young and slim were the lovers and so tightly were they clasped in their last embrace. When they were stretched inside they there continued their eternal slumber, their heads half hidden by their odorous, mingling hair. And when this first coffin had been placed in the second one, a leaden shell, and the second had been enclosed in the third, of stout oak, and when the three lids had been soldered and screwed down, the lovers' faces could still be seen through the circular opening, covered with thick glass, which in accordance with the Roman custom had been left in each of the coffins. And then, for ever parted from the living, alone together, they still gazed at one another with their eyes obstinately open, having all eternity before them wherein to exhaust their infinite love.

XVI

On the following day, on his return from the funeral Pierre lunched alone in his room, having decided to take leave of the Cardinal and Donna Serafina during the afternoon. He was quitting Rome that evening by the train which started at seventeen minutes past ten. There was nothing to detain him any longer; there was only one visit which he desired to make, a visit to old Orlando, with whom he had promised to have a long chat prior to his departure. And so a little before two o'clock he sent for a cab which took him to the Via Venti Settembre. A fine rain had fallen all night, its moisture steeping the city in grey vapour; and though this rain had now ceased the sky remained very dark, and the huge new mansions of the Via Venti Settembre were quite livid, interminably mournful with their balconies ever of the same pattern and their regular and endless rows of windows. The Ministry of Finances, that colossal pile of masonry and sculpture, looked in particular like a dead town, a huge bloodless body whence all life had withdrawn. On the other hand, although all was so gloomy the rain had made the atmosphere milder, in fact it was almost warm, damply and feverishly warm.

In the hall of Prada's little palazzo Pierre was surprised to find four or five gentlemen taking off their

overcoats; however he learnt from a servant that Count Luigi had a meeting that day with some contractors. As he, Pierre, wished to see the Count's father he had only to ascend to the third floor, added the servant. He must knock at the little door on the right-hand side of the landing there.

On the very first landing, however, the priest found himself face to face with the young Count who was there receiving the contractors, and who on recognising him became frightfully pale. They had not met since the tragedy at the Boccanera mansion, and Pierre well realised how greatly his glance disturbed that man, what a troublesome recollection of moral complicity it evoked, and what mortal dread lest he should have guessed the truth.

"Have you come to see me, have tell me?" the Count inquired.

you something to

"No, I am leaving Rome, I have come to wish your father good-bye."

Prada's pallor increased at this, and his whole face quivered: "Ah! it is to see my father. He is not very well, be gentle with him," he replied, and as he spoke, his look of anguish clearly proclaimed what he feared from Pierre, some imprudent word, perhaps even a final mission, the malediction of that man and woman whom he had killed. knew, he would die as well.

And surely if his father "Ah! how annoying it is," he resumed, "I can't go up with you! There are gentlemen waiting for me. Yes, how annoyed I am. As soon as possible, however, I will join you, yes, as soon as possible."

He knew not how to stop the young priest, whom

he must evidently allow to remain with his father, whilst he himself stayed down below, kept there by his pecuniary worries. But how distressful were the eyes with which he watched Pierre climb the stairs, how he seemed to supplicate him with his whole quivering form. His father, good Lord, the only true love, the one great, pure, faithful passion of his life!

"Don't make him talk too much, brighten him, won't you?" were his parting words.

Up above it was not Batista, the devoted ex-soldier, who opened the door, but a very young fellow to whom Pierre did not at first pay any attention. The little room was bare and light as on previous occasions, and from the broad curtainless window there was the superb view of Rome, Rome crushed that day beneath a leaden sky and steeped in shade of infinite mournfulness. Old Orlando, however, had in no wise changed, but still displayed the superb head of an old blanched lion, a powerful muzzle and youthful eyes, which yet sparkled with the passions which had growled in a soul of fire. Pierre found the stricken hero in the same arm-chair as previously, near the same table littered with newspapers, and with his legs buried in the same black wrapper, as if he were there immobilised in a sheath of stone, to such a point that after months and years one was sure to perceive him quite unchanged, with living bust, and face glowing with strength and intelligence.

That grey day, however, he seemed gloomy, low in spirits. "Ah! so here you are, my dear Monsieur Froment," he exclaimed, "I have been thinking of you these three days past, living the awful days

which you must have lived in that tragic Palazzo Boccanera. Ah, God! What a frightful bereavement! My heart is quite overwhelmed, these newspapers have again just upset me with the fresh details they give!" He pointed as he spoke to the papers scattered over the table. Then with a gesture he strove to brush aside the gloomy story, and banish that vision of Benedetta dead, which had been haunting him. "Well, and yourself?" he inquired.

"I am leaving this evening," replied Pierre, "but I did not wish to quit Rome without pressing your brave hands."

"You are leaving? But your book?"

"My book I have been received by the Holy Father, I have made my submission and reprobated my book."

Orlando looked fixedly at the priest. There was a short interval of silence, during which their eyes told one another all that they had to tell respecting the affair. Neither felt the necessity of any longer explanation. The old man merely spoke these concluding words: "You have done well, your book was a

chimera."

"Yes, a chimera, a piece of childishness, and I have condemned it myself in the name of truth and reason."

A smile appeared on the dolorous lips of the impotent hero. "Then you have seen things, you understand and know them now?"

"Yes, I know them; and that is why I did not wish to go off without having that frank conversation with you which we agreed upon."

Orlando was delighted, but all at once he seemed to