fraught sigh in which baffled passion mingled with grief and repentance.

Benedetta seated herself, breathing hard, her strength and courage wellnigh exhausted. But as Pierre, too much embarrassed to speak, turned towards the door, she addressed him in a calmer voice: "No, no, Monsieur l'Abbé, do not go away - sit down, I pray you; I should like to speak to you for a moment."

He thereupon thought it his duty to account for his sudden entrance, and explained that he had found the door of the first salon ajar, and that Victorine was not in the ante-room, though he had seen her work lying on the table there.

"Yes," exclaimed the Contessina, "Victorine ought to have been there; I saw her there but a short time ago. And when my poor Dario lost his head I called her. Why did she not come?" Then, with sudden expansion, leaning towards Pierre, she continued: "Listen, Monsieur l'Abbé, I will tell you what happened, for I don't want you to form too bad an opinion of my poor Dario. It was all in some measure my fault. Last night he asked me for an appointment here in order that we might have a quiet chat, and as I knew that my aunt would be absent at this time today I told him to come. It was only natural - wasn't it? that we should want to see one another and come to an agreement after the grievous news that my marriage will probably never be annulled. We suffer too much, and must form a decision. And so when he came this evening we began to weep and embrace, mingling our tears together. I kissed him again and

again, telling him how I adored him, how bitterly grieved I was at being the cause of his sufferings, and how surely I should die of grief at seeing him so unhappy. Ah! no doubt I did wrong; I ought not to have caught him to my heart and embraced him as I did, for it maddened him, Monsieur l'Abbé; he lost his head, and would have made me break my vow to the Blessed Virgin.”

She spoke these words in all tranquillity and simplicity, without sign of embarrassment, like a young and beautiful woman who is at once sensible and practical. Then she resumed: "Oh! I know my poor Dario well, but it does not prevent me from loving him; perhaps, indeed, it only makes me love him the more. He looks delicate, perhaps rather sickly, but in truth he is a man of passion. Yes, the old blood of my people bubbles up in him. I know something of it myself, for when I was a child I sometimes had fits of angry passion which left me exhausted on the floor, and even now, when the gusts arise within me, I have to fight against myself and torture myself in order that I may not act madly. does not know how to suffer.

But my poor Dario He is like a child

And yet at bottom

whose fancies must be gratified. he has a good deal of common sense; he waits for me because he knows that the only real happiness lies with the woman who adores him."

As Pierre listened he was able to form a more precise idea of the young prince, of whose character he had hitherto had but a vague perception. Whilst dying of love for his cousin, Dario had ever been a man of pleasure. Though he was no doubt very ami

.

able, the basis of his temperament was none the less egotism. And, in particular, he was unable to endure suffering; he loathed suffering, ugliness, and poverty, whether they affected himself or others. Both his flesh and his soul required gaiety, brilliancy, show, life in the full sunlight. And withal he was exhausted, with no strength left him but for the idle life he led, so incapable of thought and will that the idea of joining the new régime had not even occurred to him. Yet he had all the unbounded pride of a Roman; sagacity-a keen, practical perception of the real was mingled with his indolence; while his inveterate love of woman, more frequently displayed in charm of manner, burst forth at times in attacks of frantic sensuality.

"After all he is a man," concluded Benedetta in a low voice, "and I must not ask impossibilities of him." Then, as Pierre gazed at her, his notions of Italian jealousy quite upset, she exclaimed, aglow with passionate adoration: "No, no. Situated as we are, I am not jealous. I know very well that he will always return to me, and that he will be mine alone whenever I please, whenever it may be possible."

Silence followed; shadows were filling the room, the gilding of the large pier tables faded away, and infinite melancholy fell from the lofty, dim ceiling and the old hangings, yellow like autumn leaves. But soon, by some chance play of the waning light, a painting stood out above the sofa on which the Contessina was seated. It was the portrait of the beautiful young girl with the turban-Cassia Boccanera the forerunner, the amorosa and avengeress.

Again was Pierre struck by the portrait's resemblance to Benedetta, and, thinking aloud, he resumed: "Passion always proves the stronger; there invariably comes a moment when one succumbs-"

But Benedetta violently interrupted him: “I! I! Ah! you do not know me; I would rather die!" And with extraordinary exaltation, all aglow with love, as if her superstitious faith had fired her passion to ecstasy, she continued: "I have vowed to the Madonna that I will belong to none but the man I love, and to him only when he is my husband. And hitherto I have kept that vow, at the cost of my happiness, and I will keep it still, even if it cost me my life! Yes, we will die, my poor Dario and I, if it be necessary; but the holy Virgin has my vow, and the angels shall not weep in heaven!"

She was all in those words, her nature all simplicity, intricate, inexplicable though it might seem. She was doubtless swayed by that idea of human nobility which Christianity has set in renunciation and purity; a protest, as it were, against eternal matter, against the forces of Nature, the everlasting fruitfulness of life. But there was more than this; she reserved herself, like a divine and priceless gift, to be bestowed on the one being whom her heart had chosen, he who would be her lord and master when God should have united them in marriage. For her everything lay in the blessing of the priest, in the religious solemnisation of matrimony. And thus one understood her long resistance to Prada, whom she did not love, and her despairing, grievous resistance to Dario, whom she did love, but who was not her

husband. And how torturing it was for that soul of fire to have to resist her love; how continual was the combat waged by duty in the Virgin's name against the wild, passionate blood of her race! Ignorant, indolent though she might be, she was capable of great fidelity of heart, and, moreover, she was not given to dreaming: love might have its immaterial charms, but she desired it complete.

As Pierre looked at her in the dying twilight he seemed to see and understand her for the first time. The duality of her nature appeared in her somewhat full, fleshy lips, in her big black eyes, which suggested a dark, tempestuous night illumined by flashes of lightning, and in the calm, sensible expression of the rest of her gentle, infantile face. And, withal, behind those eyes of flame, beneath that pure, candid skin, one divined the internal tension of a superstitious, proud, and self-willed woman, who was obstinately intent on reserving herself for her one love. And Pierre could well understand that she should be adored, that she should fill the life of the man she chose with passion, and that to his own eyes she should appear like the younger sister of that lovely, tragic Cassia who, unwilling to survive the blow that had rendered self-bestowal impossible, had flung herself into the Tiber, dragging her brother Ercole and the corpse of her lover Flavio with her.

However, with a gesture of kindly affection Benedetta caught hold of Pierre's hands. "You have been here a fortnight, Monsieur l'Abbé," said she, "and I have come to like you very much, for I feel you to be a friend. If at first you do not understand us, at