pomps slowly sinking into the less and less fathomable abyss of the twilight.

But that night the sublime spectacle presented itself to Pierre with a calm, blinding, desperate grandeur. At first, just above the dome of St. Peter's, the sun, descending in a spotless, deeply limpid sky, proved yet so resplendent that one's eyes could not face its brightness. And in this resplendency the dome seemed to be incandescent, you would have said a dome of liquid silver; whilst the surrounding districts, the house-roofs of the Borgo, were as though changed into a lake of live embers. Then, as the sun was by degrees inclined, it lost some of its blaze, and one could look; and soon afterwards sinking with majestic slowness it disappeared behind the dome, which showed forth darkly blue, while the orb, now entirely hidden, set an aureola around it, a glory like a crown of flaming rays. And then began the dream, the dazzling symbol, the singu lar illumination of the row of windows beneath the cupola which were transpierced by the light and looked like the ruddy mouths of furnaces, in such wise that one might have imagined the dome to be poised upon a brazier, isolated, in the air, as though raised and upheld by the violence of the fire. It all lasted barely three minutes. Down below the jumbled roofs of the Borgo became steeped in violet vapour, sank into increasing gloom, whilst from the Janiculum to Monte Mario the horizon showed its firm black line. And it was the sky then which became all purple and gold, displaying the infinite placidity of a supernatural radiance above the earth which faded into nihility. Finally the last window reflections were extinguished,

the glow of the heavens departed, and nothing remained but the vague, fading roundness of the dome of St. Peter's amidst the all-invading night.

And, by some subtle connection of ideas, Pierre at that moment once again saw rising before him the lofty, sad, declining figures of Cardinal Boccanera and old Orlando. On the evening of that day when he had learnt to know them, one after the other, both so great in the obstinacy of their hope, they seemed to be there, erect on the horizon above their annihilated city, on the fringe of the heavens which death apparently was about to seize. Was everything then to crumble with them? was everything to fade away and disappear in the falling night following upon accomplished Time?

V

On the following day Narcisse Habert came in great worry to tell Pierre that Monsignor Gamba del Zoppo complained of being unwell, and asked for a delay of two or three days before receiving the young priest and considering the matter of his audience. Pierre was thus reduced to inaction, for he dared not make any attempt elsewhere in view of seeing the Pope. He had been so frightened by Nani and others that he feared he might jeopardise everything by inconsiderate endeavours. And so he began to visit Rome in order to occupy his leisure.

His first visit was for the ruins of the Palatine. Going out alone one clear morning at eight o'clock, he presented himself at the entrance in the Via San Teodoro, an iron gateway flanked by the lodges of the keepers. One of the latter at once offered his services, and though Pierre would have preferred to roam at will, following the bent of his dream, he somehow did not like to refuse the offer of this man, who spoke French very distinctly, and smiled in a very good-natured way. He was a squatly built little man, a former soldier, some sixty years of age, and his square-cut, ruddy face was barred by thick white moustaches.

"Then will you please follow me, Monsieur l'Abbé,"

said he. "I can see that you are French, Monsieur l'Abbé. I'm a Piedmontese myself, but I know the French well enough; I was with them at Solferino. Yes, yes, whatever people may say, one can't forget old friendships. Here, this way, please, to the right.” Raising his eyes, Pierre had just perceived the line of cypresses edging the plateau of the Palatine on the side of the Tiber; and in the delicate blue atmosphere the intense greenery of these trees showed like a black fringe. They alone attracted the eye; the slope, of a dusty, dirty grey, stretched out bare and devastated, dotted by a few bushes, among which peeped fragments of ancient walls. All was instinct with the ravaged, leprous sadness of a spot handed over to excavation, and where only men of learning could wax enthusiastic.

"The palaces of Tiberius, Caligula, and the Flavians are up above," resumed the guide. "We must keep them for the end and go round." Nevertheless he took a few steps to the left, and pausing before an excavation, a sort of grotto in the hillside, exclaimed: "This is the Lupercal den where the wolf suckled Romulus and Remus. Just here at the entry used to stand the Ruminal fig-tree which sheltered the twins."

Pierre could not restrain a smile, so convinced was the tone in which the old soldier gave these explanations, proud as he was of all the ancient glory, and wont to regard the wildest legends as indisputable facts. However, when the worthy man pointed out some vestiges of Roma Quadrata - remnants of walls which really seemed to date from the foundation of

the city Pierre began to feel interested, and a first touch of emotion made his heart beat. This emotion was certainly not due to any beauty of scene, for he merely beheld a few courses of tufa blocks, placed one upon the other and uncemented. But a past which had been dead for seven and twenty centuries seemed to rise up before him, and those crumbling, blackened blocks, the foundation of such a mighty eclipse of power and splendour, acquired extraordinary majesty.

Continuing their inspection, they went on, skirting the hillside. The outbuildings of the palaces must have descended to this point; fragments of porticoes, fallen beams, columns and friezes set up afresh, edged the rugged path which wound through wild weeds, suggesting a neglected cemetery; and the guide repeated the words which he had used day by day for ten years past, continuing to enunciate suppositions as facts, and giving a name, a destination, a history, to every one of the fragments.

"The house of Augustus," he said at last, pointing towards some masses of earth and rubbish.

Thereupon Pierre, unable to distinguish anything, ventured to inquire: "Where do you mean?"

"Oh!" said the man, "it seems that the walls were still to be seen at the end of the last century. But it was entered from the other side, from the Sacred Way. On this side there was a huge balcony which overlooked the Circus Maximus so that one could view the sports. However, as you can see, the greater part of the palace is still buried under that big garden up above, the garden of the Villa Mills. When there's money for fresh excavations it will be found again,