Shakespeare's The Merchant of VeniceScott, Foresman, 1919 - 186 |
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Strona 6
... , we have another evidence of Shakspere's intimacy with the great . In any case , it is easy to suppose that the 1A Life of William Shakespeare . drama in which Shakspere took most interest was that of 6 INTRODUCTION.
... , we have another evidence of Shakspere's intimacy with the great . In any case , it is easy to suppose that the 1A Life of William Shakespeare . drama in which Shakspere took most interest was that of 6 INTRODUCTION.
Strona 7
... DRAMA When Shakspere came up from Stratford to London he found demanding expression the inter- ests , ideals , and passions which were the accom- paniment of the intellectual and moral expansion of the English Renaissance ; and he found ...
... DRAMA When Shakspere came up from Stratford to London he found demanding expression the inter- ests , ideals , and passions which were the accom- paniment of the intellectual and moral expansion of the English Renaissance ; and he found ...
Strona 8
... drama was the Morality , in which the ethical side of Christianity was expressed , usually by allegorical representation of the life of a man struggling against temptation . At first such sacred plays were entirely in the hands of the ...
... drama was the Morality , in which the ethical side of Christianity was expressed , usually by allegorical representation of the life of a man struggling against temptation . At first such sacred plays were entirely in the hands of the ...
Strona 10
... drama was being fitted to become an instrument of national expres- sion . The need of such an instrument came with the Renaissance . The discoveries made in Italy in the fourteenth and fifteenth centuries of the works of ancient authors ...
... drama was being fitted to become an instrument of national expres- sion . The need of such an instrument came with the Renaissance . The discoveries made in Italy in the fourteenth and fifteenth centuries of the works of ancient authors ...
Strona 11
... drama the natural form of literary expression for England in the sixteenth century . The drama unfolds charac- ter in action and movement , and for the moment action and movement were the chief characteristics of English life . The ...
... drama the natural form of literary expression for England in the sixteenth century . The drama unfolds charac- ter in action and movement , and for the moment action and movement were the chief characteristics of English life . The ...
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Kluczowe wyrazy i wyrażenia
Abbott actors Admiral's Men Ansaldo Antonio Arragon Bass Bellario Belmont better blank verse blood bond casket choose chooseth Christian D. G. Rossetti dative daughter devil doth drama dramatist Duke Elizabethan ellipsis English Exeunt Exit eyes fair father fear folio fool forfeit fortune Gesta Romanorum Giannetto give gold Gratiano hast hath hear heart heaven honor Jessica Jew of Malta Jew's judge justice lady Laun Launcelot Gobbo Lord Bassanio Lorenzo Madam master means Merchant of Venice mercy merry mind Miracle Plays Nerissa never night plot Poems Portia Portia's house pound of flesh pray thee prince quartos reading ring room in Portia's Salan Salanio Salar Salarino Saler Salerio scene Shak Shakspere shalt Shylock Signior soul speak story swear sweet tell Tennyson thou Three thousand ducats tonight Tubal unto wife word
Popularne fragmenty
Strona 5 - Yes, trust them not: for there is an upstart crow beautified with our feathers, that with his tiger's heart, wrapt in a player's hide, supposes he is as well able to bombast out a blank verse as the best of you; and being an absolute Johannes factotum, is in his own conceit the only Shake-scene in a country.
Strona 63 - Shylock, we would have moneys :' you say so ; You, that did void your rheum upon my beard And foot me as you spurn a stranger cur Over your threshold : moneys is your suit. What should I say to you ? Should I not say, ' Hath a dog money ? is it possible A cur can lend three thousand ducats?
Strona 53 - You would be, sweet madam, if your miseries were in the same abundance as your good fortunes are : and yet, for aught I see, they are as sick that surfeit with too much as they that starve with nothing.
Strona 60 - How like a fawning publican he looks ! I hate him for he is a Christian ; But more for that in low simplicity He lends out money gratis, and brings down The rate of usance here with us in Venice. If I can catch him once upon the hip, I will feed fat the ancient grudge I bear him.
Strona 59 - I will buy with you, sell with you, talk with you, walk with you, and so following ; but I will not eat with you, drink with you, nor pray with you.
Strona 50 - Gratiano speaks an infinite deal of nothing, more than any man in all Venice. His reasons are as two grains of wheat hid in two bushels of chaff : you shall seek all day ere you find them, and when you have them, they are not worth the search.
Strona 53 - If to do were as easy as to know what were good to do, chapels had been churches and poor men's cottages princes' palaces. It is a good divine that follows his own instructions : I can easier teach twenty what were good to be done, than be one of the twenty to follow mine own teaching.
Strona 138 - Nay, take my life and all ; pardon not that : You take my house when you do take the prop That doth sustain my house ; you take my life When you do take the means whereby I live.
Strona 132 - It must not be ; there is no power in Venice Can alter a decree established : 'Twill be recorded for a precedent ; And many an error, by the same example, Will rush into the state : it cannot be.
Strona 62 - Signior Antonio, many a time and oft In the Rialto you have rated me About my moneys and my usances : Still have I borne it with a patient shrug, For sufferance is the badge of all our tribe. You call me misbeliever, cut-throat dog, And spit upon my Jewish gaberdine, And all for use of that which is mine own.