The Pleasure of the PlayCornell University Press, 1994 - 226 This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Strona 140
... true grief — but don't . And the true source of Hamlet's grief disappears into " that within ” which finally has no name at all . Thus Hamlet escapes through a crack in the floor of character itself . Finally , as in all the other ...
... true grief — but don't . And the true source of Hamlet's grief disappears into " that within ” which finally has no name at all . Thus Hamlet escapes through a crack in the floor of character itself . Finally , as in all the other ...
Strona 159
... true respecting possibilities of economy and travel in Chekhov's world , but it is not true with respect to the world - rules of the Chekhovian universe . Just as the world - rules of Superman make it unnecessary for him to rely on ...
... true respecting possibilities of economy and travel in Chekhov's world , but it is not true with respect to the world - rules of the Chekhovian universe . Just as the world - rules of Superman make it unnecessary for him to rely on ...
Strona 184
... true ” reading of life , then the form tragedy may take will be virtually open- ended and include everything that is serious and true , whatever you mean by that ( 1962 , 66 ) . In any event , as long as vision and form are considered ...
... true ” reading of life , then the form tragedy may take will be virtually open- ended and include everything that is serious and true , whatever you mean by that ( 1962 , 66 ) . In any event , as long as vision and form are considered ...
Spis treści
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Prawa autorskie | |
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actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write