The Pleasure of the PlayCornell University Press, 1994 - 226 This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Strona 108
... person " ) in which fortunes are continually reversed on the actional level of the play , and in this his epic theater is hardly a deviation from normal dramatic practice . But Brechtian characters are walking versions of Nabokov's Hugh ...
... person " ) in which fortunes are continually reversed on the actional level of the play , and in this his epic theater is hardly a deviation from normal dramatic practice . But Brechtian characters are walking versions of Nabokov's Hugh ...
Strona 147
... person that incite the action and determine the outcome . Adapting Aristotle liberally , we might say that character ... persons , i.e. , their masks and cos- tumes , rather than to the stage setting in general " ( Aristotle 1967 , 90 ) ...
... person that incite the action and determine the outcome . Adapting Aristotle liberally , we might say that character ... persons , i.e. , their masks and cos- tumes , rather than to the stage setting in general " ( Aristotle 1967 , 90 ) ...
Strona 156
... person - role formula ” ( 1986 , 269-70 ) . Even so , from all of the person - role formulations that attend a given individual's social and private life — including those of characters in plays - there does emerge a common denominator ...
... person - role formula ” ( 1986 , 269-70 ) . Even so , from all of the person - role formulations that attend a given individual's social and private life — including those of characters in plays - there does emerge a common denominator ...
Spis treści
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Prawa autorskie | |
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actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write